(Apologies to R.E.M. And
to Talking Heads for the last post title. I’ll try not to make
lyrics-as-headings a habit, but this one was… well… Simply Irresistible.)
(With
additional apologies now to the late great Robert Palmer.)
(OK, NOW I’ll stop.)
The more the #Shea arc built
over these past few episodes of TGD, the more apparent it became that it was
going to take something drastic to get Shaun and Lea onto a more positive
track. When Jasika Nicole (Carly) said something in an interview several weeks
back describing the season finale as “mindblowing,” I started brainstorming
(which sounds a little like “mindblowing” but isn’t at all). And in the notes
section of my phone I had a note that read:
“Seven words: Shaun and Lea get stuck in the elevator”
Actually, I was thinking the
“mindblowing” season finale of which Ms. Nicole spoke involved some sort of
massive power outage affecting San Jose (and St. Bonaventure) in countless ways, including
THE elevator—the one that provided the setting for a couple of awkward or
difficult exchanges in S3—heading for a doozy of difficulty if Shaun and Lea
were trapped inside it… with nothing between them except some extremely painful
recent moments… a whole lot of time… and every consequence (general fear,
claustrophobia, anything additionally triggering for Shaun) the situation might
allow.
BUT, hospitals have backup
generators, and “stuck” elevators may be the exciting plot devices they once
were, and, well, suffice to say I like the earthquake idea a whole lot better.
Metaphorically speaking, it’s
rather perfect for Shaun and Lea. Their relationship, on the surface, is in
tatters. A chance at a romance beyond their early, flirtatious days failed to
launch thus far; their enduring friendship feels downright irreparable after
the “Heartbreak” episode two weeks back. How could they make amends after all
that? Should they make amends without some sort of commitment on Shaun’s
part to start dealing with his aggressive impulses?
I’m thinking of things in
terms of layers. Consider S1 & much of S2 #Shea as the grounding layer (or
“laying the groundwork”, if you prefer). Then Shaun glides past Lea at the end
of S2, asks Carly on that date, and for the first half of S3 Shaun builds
layers on his love life by way of his budding romance with Carly… only to have it
all pinpricked by Lea’s “Friends & Family” consoling (and selfless, and
necessary) embrace, leaving us to muse at the possibility that Shaun and
Carly’s foundation was anything but solid.
By the end of “Fractured”
(3.11), Shaun was committed to building something stronger with Carly. But by
the end of “Unsaid” (3.15), Carly was committed to getting out of the
relationship. Shaun’s love life layers still existed, but at that point they
were bruised and dented and unsteady. None of that really mattered when it came
to Shaun admitting his love for Lea—we all knew it was there long before he
did—but with her complicated-yet-simple reasons for declining a romantic
relationship out in the open by the end of “Autopsy” (3.16), her own battered love life layers now co-mingled with Shaun’s. And, consequently, there was
nothing but trouble going forward.
Watch the end of “Fixation”
(3.17), and you see Lea fusing her “layers” into something fierce enough to
finally drive Shaun away. Watch the end of “Heartbreak” (3.18), and you see
Shaun do something similar, but with arguably more painful results.
Enter the earthquake that
comprises “Hurt” (3.19) and “I Love You” (3.20), and you’ve got the very ground
beneath them shaking all those shoddy love layers into rubble. And—oh, I just
thought of this!—there’s even something metaphorically lovely in there about a
fault line (where “fault” may fall between Shaun and Lea, perhaps?)… but I bet
one of my trusty COMMENTERS can work on that-!
Anyway, my most expected
hopes to come from this two-part finale are 1) Shaun, and especially Lea, to come
to some sort of reconciliation…even if it’s the kind only borne of a
life-threatening situation “making two people question what really matters to
them,” as Paige Spara (Lea) said in this TV Insider preview of “Hurt”…
(Andreas, this is your cue to remind us via the comments what the technical
term is for this!)
And 2), as an extension of
any such reconciliation… #Shea 2.0. Layers building anew. A fresh start. Much of
what we loved about #Shea 1.0, but a little older, a little wiser, and a lot of
dedication to figuring out what each needs from the other and how to get it.
What about a “Hurt” wish
list? Well, let’s start with what most of us have learned so far, via
promotional materials and preview articles:
1) A major earthquake strikes San Jose; it
appears most principle cast members are either at St. B’s (Lim, Park, Morgan,
Claire, Shaun) or at a fundraiser at a local brewpub (Glassman, Lea, Melendez)
when it hits.
2) {Note from me: Ah, clever writers,
taking the two most prominent (potential) couples of the show and splitting
their locations…}
3) Lim assembles a team of doctors that’s
been assigned to go directly to one of the hardest-hit locations—the
aforementioned brewpub—and assist in search-and-rescue efforts. While gathering the St.
B staff to make
this announcement, Claire notes that Glassman and Melendez were
guests at the brewpub that night.
4) Glassman is the only one we see escaping
the brewpub early on. Lim asks him to return to the hospital (where surgeons
are in short supply). On his way out, he sees Shaun and informs him that Lea
was in the building along with him and Melendez.
5) When Glassman can’t account for her
current whereabouts, Shaun heads on into the building, determined to
find her on his own.
6) Additionally, by seeing the CTV
(Canadian) promo and/or reading the list of guest stars in “Hurt,” we’ve
learned that Shaun gets a visit during the search-and-rescue from brother Steve
(played by Dylan Kingwell). The last time long-departed Steve “visited” Shaun was
before and during Shaun’s first lead surgery (later aborted) in “First Case,
Second Base” (3.5).
So that’s what we know.
Here’s what I’d like to know by the end of TGD season finale pt.1:
1) What’s the timespan on the show between the
parking garage scene in “Heartbreak” and the start of
“Hurt”? Typically it doesn’t seem to be much more than a handful of days
between TGD episodes in general (at most), but the fact that Morgan is seen in
all of the “Hurt” promos with bandages on her hands—
presumably from that risky
surgery that Glassman urged her to reconsider last episode—I was curious if a
little more time had passed than usual.
2) The timespan question is there because I
want to know if Shaun has told Glassman (or anyone else) what he almost did to
Lea’s car. If Glassman knows, perhaps he has re-planted the idea of Shaun
benefiting from some sort of therapy prior to the evening of the earthquake. If
Shaun has told someone else (Claire, Park), maybe one of them brings up the
idea and it has a better chance of “sticking” than it would coming from
Glassman. It might be especially meaningful coming from Park, who was there
when Shaun’s lack of impulse control got himself arrested (“Autopsy,” 3.16).
3) How are Shaun and Lea doing,
individually, prior to the earthquake? Is Shaun showing signs of remorse? Has
he returned to his more genial self at St. B? Does Lea show any visible signs
of her own heartbreak? Have they successfully steered clear of each other? Is there any
chance Shaun *has* to steer clear of Lea because she got a TRO (Temporary
Restraining Order) after the parking garage incident? It seems unlikely, but
hey, it also seems justified…
4) Are we privy to any conversation,
pre-earthquake, between Lea and Glassman? I know I keep asking for this and not
getting it, but at least this time we’re certain they are in the same location
in the same episode… what I’m wondering now, I suppose, goes back to the
question of Glassy knowing about Shaun’s baseball bat moment and if/how he
discusses any of that with Lea. Would he try to explain it away? How much
concern does he have for Lea’s well-being coming out of that situation? (My
guess is that we won’t really find out, as it will all get pushed aside when
the tremors begin.)
5) What is Shaun’s new encounter with GhostSteve
about? “You’re not her hero,” Steve advises him in the CTV promo. Which is
exactly what Shaun does NOT want to hear when he’s halfway through the
demolished basement of a strange building, looking for one of the most
important people in his life… so… what the hell, GhostSteve?? (I’m sure it’s
all for a good reason, but still...)
6) Does Shaun actually find Lea and/or
bring her to safety in this episode? My guess is no, due to all sorts of
obstacle potential (including his responsibility to care for any other victims
he encounters along the way). In fact, some of us have noted that the shot of
Lea now included in the ABC promo looks like it could be her sitting on the
tailgate of an ambulance… could it be that she gets out, either on her
own or with assistance, while Shaun’s still deep into the crumbling structure
looking for her?
7) And if so, what happens when she
realizes Shaun is
still in there? (I want her to go in after him if that
happens. Just putting that out there now.)
8) And exactly when should we expect those
dreaded aftershocks to jumble everything up? (Answer: the moment we think we’ve
got this episode figured out. Of course!)
9) Finally… how will this latest preview
(featuring intriguing-if-not-all-that-revealing quotes from showrunner David
Shore) go down after we’ve taken in part one of this two-course entrée?
So hold on to something this
week, #Shea shippers… looks like everything we’ve watched these two deal with
these past few months was merely a warm-up for the intense-a-fest starting this
Monday night.
Don’t forget to jump into the
comments and/or tag me on Twitter @KLBSt8ofSk8) with your own thoughts about
the “Hurt” to come!
3 comments:
I don't know if we're in for much exposition, at least between the characters in the earthquake, because they only have about 44 minute, minus the commercials, and my guess is that the earthquake itself is going to happen within the first 10 minutes, and Glassman is on the street to greet Lim and Shaun when their team arrives, so I'm honestly not expecting any kind of Glassman/Lea conversation just based on that. And when the quake does hit, interestingly, it's Melendez who shouts, "Lea, get out of there!" Granted, he is physically closer to her at that moment than Glassman is, but I noticed that.
I agree that Shaun isn't going to be the one to find Lea. That fault line you talked about in your OG post? They're both part of it, definitely. Each of them is partly to blame for what has happened to their relationship. So, at least to me, it makes sense that they are both in danger in the episode (which the audience already knows) AND that each of them knows the other is in danger because of them. As soon as Shaun learns that Lea was in the brewpub and Glassman doesn't know where she is, that's all he needs to hear to go in there looking for her, and probably concentrating all of his effort solely on finding her, hence the TV Guide spoiler about Shaun going rogue. Lim, Park, Claire, they're all going to be working on other people. But Shaun goes rogue. The only way he can possibly go rogue in the same building as the rest of his team is to focus solely on looking for Lea, thus ignoring others possibly in need, unless he literally stumbles across someone while looking for Lea and, with no one else around, HAS to treat them, if only to get past them and keep looking for Lea.
The other side of that coin is Lea finding out that Shaun went in looking for her. From a dramatic standpoint, that would pack a greater emotional punch if she gets out of the building, and after she is out and theoretically safe, she learns that Shaun is not only in the building, but the last thing he heard before he went into the building was that she was in there when the tanks fell and Glassman didn't know where she was.
It says a lot about how much they love each other that given their last onscreen interaction, all Shaun cares about once he learns Lea was in the building and Glassman doesn't know where she is, is finding her. And Lea will DEFINITELY have a reaction to learning that Shaun went in there knowing that she was in there, and she knows him well enough to know that he'll be looking for her. And if he should become trapped and/or injured WHILE he was looking for her, that brings up an entire spectrum of emotions for Lea, from guilt that he went after her (which he really needs to set her straight on as soon as possible, that he went after her because he WANTED to, and because he loves her, no matter how hurtful it's been between them in the recent past) to wrapping her brain around the knowledge that this man--this man she already loves, this man she already thinks is wonderful, this man that she's afraid of screwing it up with for reasons we're still not privy to the depth of yet--literally risked his life trying to save hers.
Let the rebuilding begin for #Shea!
Hey Kelli, the TDG writers‘ style is rubbing onto you professionally with these lyrics, isn’t it? ;) Likewise, the show adds new reasons and layers to me studying psychology in distance learning courses (which is quite handy right now…).
I’m really fascinated how writers of fiction give us insights in the inner workings of two humans and the dynamics of their evolving relationship – perhaps without ever working through one of my textbooks but still right on the mark. The accomplishment is even more impressive when you consider the fact that one character’s mind does not work the same way as the neurotypicals writers’.
What do I expect of 3.19 after taking in your and Amy D’s notes? I’ll go with the said interview of David Shore: “There’s a lot of very interesting discussions underground with a person facing death about what that all means, but this is an episode about Shaun being Shaun and what that means to Lea, what that means to him, what that means to us, and what that should mean”. The promo photos show a female guest star trapped under debris. “Hurt” probably will focus on Shaun, while the (most) interaction with Lea will be delayed to 3.20 (I would even predict that Lea interacts more with Melendez than Glassman this episode just to give shippers some ideas).
Shaun will face death – with the trapped earthquake victim he must communicate with and with aftershocks threatening his own life. His fears will speak to him in his dead brother’s voice. There you have it, Kelli – raised “mortality salience”. ;) Psychology turned poetics.
“Hurt” will be about crisis in every sense you described Kelli, literally and metaphorically. Shaun is sent out to crisis intervention in the material sense and will end up receiving crisis intervention for his own pressing issues. Psychological crisis intervention is an immediate and short-term psychological care aimed at assisting individuals in a crisis situation in order to restore functioning. My guidelines for good practice structure a crisis in four steps:
(1) Shock reaction to crisis event with habitual problem-solving strategies failing.
(2) Additional resources are activated but proof fruitless.
(3) Mental state deteriorates, and symptoms start appearing.
(4) The crisis abates.
This structure does not only apply to the earthquake, it is present in the events leading up to the finale, too. Shaun was (1) shocked by Lea’s rejection in 3.16. He went all the ways he could imagine in 3.17, but ultimately failed (2). So, he withdraws (from Lea, into isolation), binge-watches the weather forecast and almost re-shapes the chassis of the Striped Tomato (3).
Now, for stage 4 my guidelines give two alternatives: (a) coping by growing symptoms (depression, anxiety, hopelessness, suicidal ideation, etc.) or (b) problem-focused coping. That is the path David Shore is talking about: “What we see in this episode are priorities being refocused, or being reminded of them. […] then suddenly you’re faced with bigger issues of mortality and our responsibilities to our fellow people, and little quibbles we have on a day-to-day basis take on less significance.”
There’s a quick and dirty therapy session scheduled for Dr. Murphy tonight… (and Lea, too but less prominent)
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