This edition of the Playlist is dedicated to the back five episodes of S3… when “Autopsy,” “Fixation,” “Heartbreak,” “Hurt,” and “I Love You” had all us #Shea fans agonizing over Shaun and Lea’s future… and, at times, wondering if they still HAD a future.
That run between February and March took us all through the gamut of emotions… and now that they’re “together” (at least as far as S4 goes), it’s a lot easier to deal with in retrospect than it was in real time! So let’s dig in to five more contributions…
I find it hard to say
I could be yours alone
You will see someday
That all along the way
I was yours to hold
I was yours to hold
I'm stretchin', but you're just out of reach
You should know
I'm ready when you're ready for me
And I'm waiting for the right time
For the day I catch your eye
To let you know
That I'm yours to hold
You say I am strong when I think I am weak
And You say I am held when I am falling short
And when I don't belong, oh You say I am Yours
And I believe, oh I believe
What You say of me
I believe
Submitted
by: Angelica, while giving a shoutout to YouTube #Shea contributor
supreme Sheree-Lynn Blizzard. “Fall on Me” is the piece of music behind
one of Blizzard’s most-watched #Shea videos to date. Check out THIS POST for more
about her work!)
Comments from Angelica: “This fanvid “Fall on Me” (from
Blizzard) gets its title from the featured song, which itself is a duet
performed by A Great Big World and Christina Aguilera. IMHO, the video does a
great job of presenting Shaun and Lea's separate perspectives by synchronizing
edits with the solo performances of each singer to effectively convey each side
of their story.”
Comments from Me: A Great Big World and Aguilera combined forces previously on “Say Something,” which became a tremendous hit after performing it on NBC’s The Voice. “Fall on Me” was released earlier this year, but didn’t duplicate “Say Something”-level success (at least not in the U.S.) But it’s a beautiful contribution both to Blizzard’s catalog and our Playlist.
Tear me to pieces and make me feel whole
To feel something new
To know what it's like to be sharing a space with you
With open arms
Fall on me
From where you are
Fall on me
Leave it to ME to contribute the oldest song (by far)
in Volume 5… 😉
This song—a Billboard Top 10 hit in 1973—is one of
several that stand out from my earliest days. This is probably because I was
raised largely on my older siblings’ Simon and Garfunkel albums of the late
60s, and “All I Know” featured Garfunkel’s lovely, lilting tenor in a way
similar to “Bridge Over Troubled Water.”
I think the opening lines of “All I Know”—
I bruise you, you bruise me—sprang to mind for me by the end of the “Heartbreak” episode, when it felt like both Shaun and Lea had done all the damage they could do to each other (and their relationship). I had to dig up the rest of the lyrics to see if the song made sense for them, and I really think they do—especially for this back arc of S3. Jimmy Webb wrote a wealth of recognizable hits in the 60s, most notably “Up, Up and Away,” “Wichita Lineman,” and “MacArthur Park”… but the lyric structure of “All I Know” is considerably simpler. Probably because the core is simple: I love you, and that’s All I Know.
Anyway, the bridge lyrics are what hooked me:
When the singer's gone
Let the song go on
It's a fine line between the darkness and the dawn
They say in the darkest night, there's a light beyond
The arrangement of Garfunkel’s version of the song is,
as I said before, similar to “Troubled Water” in its swelling orchestration,
climbing-ever-higher vocals, and cannon-like sounds in the final minute. But
then, in a way very similar to Barry Manilow’s “Could It Be Magic” from the
same era, “All I Know” calms all the way down to the simple, piano-only intro
with which it started. I like to think
of the “swelling” part of the song as the final parts of the season finale… and
the “calm” part as Shaun and Lea in much quieter, gentler moments that now lie
ahead.
As a bonus… I found a 2010 version of this song that was
recorded as a duet between Jimmy Webb (the songwriter himself) and Linda
Ronstadt. What’s especially poignant about this recording is that it was one of
Ronstadt’s last—as you might know, Parkinson’s Disease has robbed her of her
ability to sing, and I think she’d already announced her retirement by the time
this was recorded (she’d stopped performing in 2009). Webb is apparently a
long-time friend of hers, and he persuaded her into the studio once more with
this lovely (and considerably sparser) version.
6 comments:
First off, I'm happy to see a new name on here. Welcome aboard, Tammy - and great pick! Hopefully some more of your picks will make the list in the weeks to come! And of course, it always brings a smile to my face to see evidence of just how great the Shea fandom is!
As always, great write-up Kelli! One of my great weekend traditions over the past few months has been coming here and anticipating the latest entry! Even if those "tough" scenes in the back-five Season 3 episodes are easier to watch now than in retrospect, I still wouldn't call them easy. Especially the back-to-back gut punches in Episodes 17 and 18. I wish more people understood that these two episodes were NOT the norm for either Shaun OR Lea. Oh well - at least WE know what's up!
For any trend-watchers, I thought I'd share a positive update. A while back, I pointed out that three of the top 5 Season 3 videos from ABC on YouTube were Shaun and Lea videos. Well, as of this week, the highest among those (and #3 overall) is now the "I Love You" ending scene. At almost 1.2 million, this clip continues to go strong! It's always a great week when happiness triumphs over anger or sadness - especially so in the world of Shea!
"Yours to Hold" is definitely a secular love song, as Skillet frontman and songwriter John L. Cooper described it as "kind of a prom song, with the excitement of young love." I know that Shaun and Lea aren't teenagers, but they are still relatively young, and they've never felt about anyone else the way they feel about each other (that's a hill I'm willing to die on). I just looked that up about the song tonight, so I didn't know that when I suggested it, but I'm thrilled, as are we all, that Shaun and Lea are, at last, each other's to hold.
That's such great news, Tony! In these difficult times, we all need all the positivity we can get, and knowing that the ending scene of "I Love You" with Shaun and Lea is at almost 1.2 million views is good news indeed!
I'll join you on that hill, Amy! Because I truly believe it too!
I love these rock/alternative songs on here. It's not always a genre that yields a solid love song!
I'll throw one more out there, my 11th pick in honor of "7-11 Day" (since I didn't get my free Slurpee). It's in that rock/alternative genre - though it may be an under-the-radar pick to many.
11. Calling You – Blue October
https://www.youtube.com/watch?v=s4HMxxN_3GA
Writer: Justin Furstenfeld
I was fortunate to see these guys in concert in the late 2000s. Their hits "Hate Me" and "Into the Ocean" had just had decent success. The former hit #2 on Billboard's Alternative Chart; the latter hit #10 on the Adult Pop chart; both made the Hot 100. "Calling You" wasn't quite the hit those two were (Top 20 on Adult Pop was its best peak) - but it was always the one I enjoyed the most.
In terms of Shaun and Lea, it really hits home for two reasons. First, some of the greatest "quick" Shaun and Lea scenes have been their phone calls. From the "Two-Ply" banter over toilet paper, to the humorous "Hubert" exchange that included Morgan as a witness, to the EPIC emoji scene in Season 3. The plot device that can be so "meh" elsewhere (characters on the phone) ends up being an oft-repeated scene when Shea is involved!
And second, it's a great reminder of the impact that person can have in your life. How that special person can open up a whole new world. We've seen very well how Lea has done that for Shaun, and I think we've seen enough to reason that Shaun has been that person for Lea as well.
The second verse spells it out perfectly:
I thought that the world had lost its sway
(It's so hard sometimes)
Then I fell in love with you
(Then came you)
And you took that away
(It's not so difficult
The world is not so difficult)
You take away the old
Show me the new
And I feel like I can fly when I stand next to you
So while I'm on this phone
A hundred miles from home
I'll take the words you gave me and send them back to you
Hopefully we'll get to see them plenty close-up and in-person. But if they have to be on the phone to make a scene work, I feel good that it'll be a good scene!
PS - in my first comment, 2nd paragraph, please omit the word "than". Silly grammar on my part :-)
I dn't know if it was already mentioned, but the song that plays in the 3x16 episode promo, "Someone to Call My Own" (Mos Isley), is amazing and would also work well if it played in Shaun and Lea's last scene in some season finale: https://m.youtube.com/watch?v=Dgm7qtBK758
I've had enough of monologues (We are we are)
And lonely nights in city bars (We are we are)
Away away we go
To something beautiful
We're trading silver for gold
Silver for gold
I want someone to call my own
Someone to share my rhythm and to follow home
Somewhere I belong
Someone to call my own
This universe I understand (We are we are)
A brand new world is in our hands (We are we are the future)
I want someone to call my own
Someone to share my rhythm and to follow home
Somewhere I belong
Someone to call my own
A long gone light has reappeared
A piece of mind is what you hear
We can make it right somehow
We can break the barrier now
I want someone to call my own
I want someone to call my own
Someone to share my rhythm and to follow home
Somewhere I belong
Someone to call my own
In other news, the Gold Derby website is voting to choose the nominees for its annual awards for best series and performers of the year. The Website users vote for their favorites. The Good Doctor is eligible for Drama Series, Lead Actor (Freddie Highmore) and Supporting Actor (Richard Schiff). In addition, there is also Drama Episode, where The Good Doctor is eligible for the episode "I Love You". It is more impressive because the 30 semifinalists in this category were chosen by the users (each one sent his list of 3 favorite episodes for a week), and the episode is alongside episodes from other praised series such as Better Call Saul, Ozark, Succession, etc.
Setting up a new laptop and browsing my own music collection in the process, I stumpled on another song I find quite fitting for the tensions of 316/317:
Walking After You by the Foo Fithers, version of 1998 for the X-Files movie.
https://youtu.be/TNwkN9vrUYY
Lyrics and visuals in the video are pretty self-evident about their relevance for the events in Autopsy and Fixation, I guess...
Post a Comment