Saturday, August 1, 2020

STATE OF THE #SHEA: Now That They Found Love, Part 2



By the time you read this, The Good Doctor may have started filming season four!

 

SIGH. The pandemic changed TGD’s shooting plans yet again between the time I wrote that first line and the time I posted it live on the blog.

 

Here’s the news release about the latest delay, in case you haven't seen it.


As for the ins and outs of HOW they move forward, once they do… there have been some write-ups about it, including “shooting love scenes during COVID-19” (which I know we’re all curious as hell about), and from a production standpoint, it’s quite interesting stuff.

 

BUT… for now you’ll need to look those articles up on your own, because that’s not what we’re speculating on this time. Part 1 of Now That They Found Love, which I posted back in May, opened a few avenues for storylines/episodes that I described as The Good and The Bad:


THE GOOD= things that count as lighter dilemmas & challenges; issues that are able to be resolved in some manner in an episode or two

 

THE BAD= deeper-rooted situations that have make-or-break potential, though obviously the hope is that Shaun and Lea now have a foundation to withstand such root “damage”

 

There are plenty more roads to explore, though, so let’s see if I hit on something that you’ve been thinking about as well…



 

THE GOOD

Improving “little things” before they turn into big things

 

Quick, what’s the only time thus far that Shaun has said something complementary about Lea’s physical appearance? HINT: Lea wasn’t even there when he said it…

 

SHAUN (talking to Claire at the hospital): My neighbor, Lea… If she were ever in a fire, she'd be rescued first.

 

CLAIRE: Why's that?

 

SHAUN: Dr. Melendez says attractive people have advantages.

 

(From 1.9 “Intangibles”)

 

That’s the conversation that started Claire explaining “the flirting trifecta,” which adorably led Shaun to counter Lea’s initial flirt—“You’re such an asshat, Shaun Murphy”—with his own attempt (“Lea… you look ridiculous in that sweater.”)

 

But that was then, this is now, and while it’s pretty much a given that Shaun is physically attracted to the woman he’s in love with… he has yet to tell her outright, at any stage of their relationship, that he thinks she’s beautiful/pretty/gorgeous/whatever. Not a criticism, just an observation.

 

Is it important that he learn to say these things that neurotypical men often tell their significant others on the regular? Well… while I do have this filed under the little things, I think one of Lea’s self-proclaimed “needy” attributes might the need to hear the words from time to time (let’s face it, she’s far from alone in that regard). And one thing about Shaun’s reticence on these kind of compliments—if/when he does feel inspired to tell her how he sees her, it could be epic in its own way!

 

All of this is related to a bigger little thing known plain and simple as communication… a challenging cornerstone for any relationship success, usually broken into pebbles of daily or weekly happenings. The bad news is that ASD makes communication even more challenging. The good news is that Shaun and Lea have a head start, learning what they’ve learned about each other for the past three years. But how far will that head start actually BE now that the relationship, and its expectations, are changing?

 

Something to think about… suppose Lea and Shaun were to try and help their communication along by mutually agreeing on an “exit line”—a.k.a. a way to improve upon all those abrupt departures of Shaun’s. Something simple, like I love you and I’ll talk to you later? Ah, that’s kind of boring. YOU should come up with an exit line!

 

(No, really, you should! And if you do, please leave it in the comments!)

 

 

Lea, the St. Bonaventurite-In-Training

 

S4 is also the perfect time for Lea to interact more with others we know and love at St. B. On the one hand, there are a wealth of options: Lea/Morgan (we already know we like that combo), Lea/Debbie (great potential, though they’ve yet to share the screen), Lea/ Claire, Lea/Audrey (who appear to be good friends off-camera already)… or any combo of the above.

 

On the other hand, a typical “girls night out” scene at a bar or restaurant might prove impossible to year due to COVID restrictions. So… carry-out Pizza at Claire’s house, anyone? Chinese food at Morgan’s? Think Audrey might have room on her motorcycle to give Lea a ride sometime? Or will Debbie air some big-time Glassman grievances while riding shotgun in the Striped Tomato?

 

It wouldn’t take that many scenes/episodes of bonding to establish a St. B sisterhood of which Lea is now a part. I hope TGD writers consider it. Would be a lot of fun, and a great way for Lea to become defined beyond being Shaun’s Girlfriend.

 

Speaking of which-- if TGD could hand over an entire episode in S3 to Carly’s character development AND get Carly and Shaun working together (figuratively and literally) to strengthen their relationship (3.12 “Mutations”)… surely they could do something similar in S4 with Lea, a character that (Lord willing) will NOT vanish from the cast a few episodes later?

 

 

From neighbors to roommates to best friends to…


 

For the sake of argument, let’s assume that COVID precautions are NOT going to interfere with shooting #Shea love scenes…

 

I’m also going to assume that there will be at least as much demonstrative affection between Shaun and Lea from the jump as there was in the final few weeks of Shaun and Carly’s relationship… probably more.

 

But as they progress towards that First Time we’re waiting for, there’ll be plenty of room for conflict. Maybe Lea will want to wait longer, for any number of reasons (she’s scared, she wants it to be more special than other “first times” in her life, she’s still uncertain about the relationship in general, etc.) Maybe they’ll have a number of attempts that will get interrupted by a call from the hospital. Maybe one or both of them will get upset by efforts to “make everything perfect” for that First Time that go awry… but then when they least expect it, an emotional rush of some sort carries them away.

 

Whenever Shaun and Lea officially become lovers, I think we need to make the most of it. Because I wonder how much we’ll witness of their sex life from that point onward. There’s plenty the writers could do to explore the challenges/rewards of their intimacy that does NOT come off as a retread of Shaun and Carly, but I wonder if they will. Not necessarily because of the pandemic, but moreso because, as we know so well, the personal stories on TGD are doled out in very limited increments of time. I suspect once it’s been established that #Shea have done the deed, we won’t be privy to a whole lot of pillow talk… if only because the show has bigger relationship fish to fry. At least, for now. (Believe me, I hope I’m wrong as much as you do!)

 

 

 

THE BAD

 

Shaun’s anger issues, revisited

 

They’ve got to go there, right? Here are some thoughts on how it could be done…

 

+  An organic way for TGD to ease Shaun and Lea into that discussion could be a scene that has them in or near the Striped Tomato for what is revealed to be the first time (or one of the few times) since the baseball bat incident. This might carry more credibility if they remind us that Lea has TWO cars, as they did when The Tomato made its debut on the show in the “Islands” episodes. (IF she still does?) Lea could make a lot of excuses for driving them around in her other car…then freeze up or react in some other, adverse way when circumstances placed Shaun back in the vicinity of her most prized possession.

 

+  Otherwise, it might take a flare-up on Shaun’s part—not necessarily sparked by Lea, but just in general—to trigger a conversation. Maybe Lea would pull away from such a flare-up, retreating silently (rather than trying to talk Shaun down) in recollection of that awful night last spring. How long might it take Shaun to counter-react to such non-verbal communication? Calling on my ASD experts…

 

+  Since I can’t imagine going through a season of TGD without some highly emotional moments from Dr. Murphy, it seems more a matter of when than if he’s wrestling with his anger. But I truly hope that if Lea’s involved, it’s in a way that doesn’t have her questioning her decision to be with him. No guarantees for that, I know… but something that might factor into that is the timing of such an event. If it were to happen in the back half of the season, would it seem less threatening than it does right now because the relationship will have a few miles under its belt by then? 

 

Lea’s “worthiness,” revisited

 

When Lea laid out her initial rationale against a relationship with Shaun, we got several confirmations about her perceived low self-worth. How will that play out now that she’s made her leap of love/faith? As Andreas pointed out a while back, telling Shaun he “made her more” in the final minute of the season didn’t give us much insight into how he does it… or how she internalizes it.

 

My point, which you probably know already, is that Lea’s self-esteem issues aren’t magically erased because she’s with Shaun now and knows that he loves her. If anything, she’s likely to hit some real low spots in the coming year—whether she’s questioning her ability to hold up her end of the relationship, or entrenched in a family issue, or feels she’s faltering at work (however her St.B role officially evolves). OR…maybe she’ll be just as much “a mess” as ever, but it seems like more because we’ll see HER more.

 

Shaun sounded confident when he told Lea (during the final three minutes of “Autopsy”) that he thought he’d be able to handle her neediness/selfishness/messiness if they were to pursue a relationship. But will that confidence hold up when their love is tested? It’s a difficult enough question for a neurotypical person; when it’s a person with ASD… well, that’s exactly what Lea was getting at when she initially walked away with tears in her eyes. With that in mind, I can’t imagine TGD writers will ignore these challenges in S4. I also can’t imagine Shaun doing anything less than finding his own way to rise to any occasion necessary. Hopefully that’s not me simply being over-optimistic.

 

An Outside Force to Be Named Later

 

There’s going to be at least occasional conflict if #Shea are to get any screen time; if it doesn’t stem from the characters themselves or any of the ideas I mentioned in the May edition of Now That They… , here are a few more options:

 

+  A new character (maybe one replacing Dr. Melendez)? A temporary character, a la Dr. Han? An extension of something that might happen between Lea and a member of her family? I should add that I don’t mean to imply a new character could come into the show setting their sights on either Shaun OR Lea… there’s plenty of things that can crop up without a hint of an issue of romantic betrayal.

 

 

+  A crime that Lea falls victim to… I’m saying Lea, not Shaun, since he was in the holdup in S1 and was also hospitalized in S2 after his (very brief) bar fight. But he IS the titular character, so I suppose he could be the victim of a crime too. Perhaps something that happens while they’re out on a date?

 

+  Since we just witnessed a natural disaster in San Jose, another one seems less likely… BUT… we had a 2-part quarantine in S2, and a 2-part quake in S3… what could be the 2 parter this time? And what long-term effect will it have on #Shea (if any)?

 

 

Readers, if you’ve got any offerings for that last idea… or, want to share your own take on S4 storylines for #Shea (my suggestions, or your own)… you know where to share your thoughts!

 

A post more specific the role ASD plays in romantic partnerships is what I plan to do as a final installment to this Now That They… series. Look for that in September!


Saturday, July 25, 2020

#SHEA Ultimate S.O.S. Playlist, Volume 6 (Tracks 26-30)



For this edition of the Playlist, I guess I see it as following Shaun’s side of the #Shea journey—with the songs more or less progressing from the earliest days to where they ended up a few months ago. I think I’ve got these songs in an order that makes the most sense, but Your Mileage May Vary as they say. Debate it in the comments if you like!

And remember, I’m still adding new contributions whenever they come my way! Just check out the original call for submissions to find out how…

SONG: “Friend Like You” by Joshua Radin

Songwriter: Joshua Radin (from the 2008 album Simple Times)

Submitted by: Amy Danko

Comments from Amy:
“(To me) this one fits S1/S2 #Shea. I've been listening to Joshua Radin for years, and this song struck me when I was listening to the CD shortly after I learned that Paige Spara was returning and would be a regular going forward. I would say it's about Shaun, and although it wasn't written for the show, it's a good summary of his early journey.”

Comments from Me: What I like about this song is the fluidity of the POV from one verse to another—at times it sounds like Shaun talking to himself, at other times Lea talking to herself… sometimes it could be either of them… I can even picture Shaun’s brother Steve’s POV in the 2nd verse, as you see below.

SAMPLE LYRICS


I like the way you're not afraid
You got the world planned in your mind
People say you cannot do well
They don't know a friend like you

The girl you love has gone away
Still too young to know her heart
She'll return her love renewed
'Cause she'll never find a friend like you

When I had no one to call
All the world had shut me down
I showed up at your door so blue
Thank god I had a friend like you


--

SONG: “Crazy for This Girl” by Evan and Jaron

Songwriters: Jaron Lowenstein, Jeff Cohen

Submitted by: Tony Payne

Comments from Tony:
“One thing I appreciate greatly about the Shea journey is its natural, gradual build. We got to see Shaun’s feelings for Lea develop over the three seasons. Even so, it became clear very quickly that there was just something special about Lea.

“This is an up-tempo pop song from 2000 that touches on a lot of the things we’ve gotten to see throughout the Shea development!

“The first verse begins with a very key Shaun and Lea moment - driving:

She rolls the window down
And she talks over the sound
Of the cars that pass us by
And I don't know why, but she's changed my mind

“Considering that Shaun told Glassman in Season 1 that he didn’t even WANT love, I’d say that the driving and the ‘she’s changed my mind’ lines are very apropos.

“Then we get into the second verse, which reminds me of the ‘Friends and Family’ ending all over again:


She was the one to hold me
The night the sky fell down
And what was I thinking when
The world didn't end, why didn't I know what I know now


“And between the verses, a fun chorus that gives us the opportunity to recall their ‘looks’ over the years:”

Would you look at her, she looks at me
She's got me thinking about her constantly
But she don't know how I feel
And as she carries on without a doubt
I wonder if she's figured out
I'm crazy for this girl
Yeah, I'm crazy for this girl



--

SONG: “Forget About You” by Graham Colton

Songwriter: Graham Colton (from 2008’s Here Right Now)

Submitted by: Faghost


Comments from Faghost:
“~ Lea’s POV, from s02 to s03…
But—the lyrics below could easily apply to Shaun when Jake was in the picture:"


Every night I stayed up, thinking, my mind’s made up
Every memory I hold onto.
If I could only have a minute, I know I’d spend it saying everything I feel for you
I feel for you.

Comments from Me: Forgive me Faghost, but I’m leaning strong into your secondary explanation this time!

SAMPLE LYRICS (continues from the verse above)
I am useless young and stupid for thinking I'll get over you
There's no excuses cause the truth is
There's nothing left for me to do
I can't forget about you



 --

SONG: “Time After Time” by Mark Williams & Tara Morice

Songwriters: Cyndi Lauper, Rob Hyman

Submitted by: Andreas

Comments from Andreas:
“This version is part of the soundtrack of the quirky Australian movie Strictly Ballroom, in which the hotshot ballroom dancer Scott struggles to establish his personal style that does not conform to ballroom rules.

“Meeting the introvert Fran, Scott learns to tame his cockiness while Fran leaves her comfort zone for the first time. For becoming dancing partners and ultimately lovers, they have to confront not only their own shortcomings, but overbearing parents, ignorant friends and the dancing federation, all who try to separate them.

“While the plot seems very different, the motives and themes used to tell the story are very similar to what we have come to love with #Shea, although applied in a different mix, up to the point where the couples express their special bond in an act of music, here with ballroom dancing, there with karaoke.

“The lyrics of ‘Time After Time’ speak of the inner struggle of two very different characters, that have way to adjust to each other (for which dancing is a good metaphor just as singing a [karaoke] duet).

“In the context of #Shea, I like to think that especially episodes 316/317 or the arc of becoming roommates resonate with verses like:

I’m walking too far ahead/
You're calling to me, I can't hear/
What you've said/
Then you say, "go slow"/
And I fall behind/
The second hand unwinds/


“More generally the lyrics describe a ‘delicate dance’ of alternating distance and proximity without ever letting go completely – just as Shaun and Lea danced around each other since season 1.”


Comments from Me: “Time After Time” has been covered by over 100 artists since its 1983 release, and I think the elasticity of the lyrics is a large part of its popularity. So many relationships can be seen in those words! Shaun and Lea are no exception.

I’ve heard of Strictly Ballroom but never seen it, so this version of Lauper’s song is new to me! Thanks, Andreas! Here it is if you’d like to give it a listen.

As for a lyric video, I’m linking to P!nk’s acoustic (“live”) cover of the song… which borrows heavily from the Eva Cassidy version (one of my personal favorites).


--

SONG: “Secret Garden” by Bruce Springsteen

Songwriter: Bruce Springsteen

Submitted by: Sonya (and Sonya knows of other #Shea fans who have mentioned this song)

Comments from Me: I’m not the Springsteen aficionado in my family—that would be my oldest brother—but I’ve long enjoyed the subdued shades of this mid-90s track that got a big boost from its inclusion on the soundtrack to the Tom Cruise/Renee Zellweger film Jerry Maguire. When Sonya suggested it to me as a song that, essentially, can be used to describe what Lea has become to Shaun over time, I re-studied the lyrics with a lot of fascination: so many She’ll let you in… variations that can apply directly to #Shea, with the titular Secret Garden always being what has eluded him,  until…


She'll lead you down a path
There'll be tenderness in the air
She'll let you come just far enough
So you know she's really there


Which kinda feels like the vibe of the final minutes of the S3 Finale, right? Except…

Then she'll look at you and smile
And her eyes will say
She's got a secret garden
Where everything you want
Where everything you need
Will always stay
A million miles away


I initially felt sad about this part, but there’s a reality to it that shouldn’t be denied—that in any relationship, the individuals involved may well have untouchable, unreachable parts. And, generally speaking, THAT’S OK. (In the case of #Shea, I can see Lea eventually becoming more aware of a “secret garden” within Shaun as well. Maybe more so.)




Saturday, July 18, 2020

The Roommate Years: Ranking #Shea’s Smaller Moments (Part 1: #21-15)





Batteries.

The road trip.

“You’re such an asshat.”

First tequila shots. First karaoke.

The hug in the hallway. The kiss outside the motel room door.

The sad goodbye, the mixed emotions reunion, the lightly tangled path to a shared apartment.

Most #Shea fans know these moments by heart… and if they didn’t by the end of S3, they’re getting PLENTY of time to reminisce via YouTube and other ports of flashback heaven.

And when they’ve had their fill of those early memories, they apparently keep spending time with that final 1:47 from 3.20 “I Love You”—it’s up to 1.2 million views now, as Tony mentioned in last week’s comments.

So we know how they started, and now we finally know where they are headed. But in between those two eras lie “The Roommate Years”… that spread of time that started after Shaun and Lea (and Hubert the Fish Albert the Fish) had worked out their living arrangement kinks, and ended just before the “Superbass” karaoke night catapulted them to The Next Level, whether they were ready for it or not.

That’s 24 episodes of TGD history, minus 9 of those 24 where Lea didn’t make a single appearance… 15 episodes worth of the smaller moments between these two. Fifteen episodes that got us through the lean times. And, by my count, 21 lesser-recalled scenes from those 15 episodes that deserve renewed acknowledgement!

Here’s how I’m doing this:

1)      In true countdown form, I’m starting at the bottom of the list (21st) and working my way up… 21-15 in this post, 8-15 in a later post, and 7-1 in a post after that.

2)      These are just MY rankings; your mileage may vary, as they say. Comments, as always, are very welcome! (But don’t take the “rankings” too seriously… we all know any #Shea scene is a scene of value!)

3)      I’m only counting scenes that involved Shaun and Lea exclusively… I might make a very minor exception to this here and there, but scenes involving, say, Glassman or Jake (Lea’s boyfriend in the back half of S2) are excluded from contention.

4)      I realize Shaun and Lea were no longer roommates as of the “Mutations” episode, and that they may very well become roommates-of-another-kind, again, in the future. I’m calling this The Roommate Years anyway. Just go with it.


Ready? Let’s go—

21) “I have to change his mind” (from 2.17 "Breakdown")

IN SHORT: Lea attempts to sneak home after spending the
night with Jake, but Shaun is already awake -- pre-occupied (and still unhappy) with Dr. Han moving him to Pathology. Lea tries to boost his spirits, but Shaun is un-boostable. (This is the episode where Shaun walked to work instead of catching the bus, resulting in that hilarious “did he see us??” situation with Lim and Melendez.)

BEST REMEMBERED FOR: That’s the real reason I have this one down at #21… I didn’t remember this scene. At all. Maybe because it seemed to be more about setting up the comedy with Limlendez than it did about advancing anything with Shaun and Lea? Just a thought.

20) “You said you found the pattern ‘soothing’” (from 3.12 “Mutations”)

IN SHORT: Apparently as a reinforcement of his decision to continue things with Carly (and try to bury his feelings for Lea), Shaun agrees to end his roommate situation. And, faster than #Shea fans can say Wait, why does SHE have to move out??, they are divvying up dishware as Shaun insists that everything with Carly is about to be perfectumundo. (It’s easy to be “short” about this particular scene; it lasted around 45 seconds.)


BEST REMEMBERED FOR: The tailspin in which it left us. My original post about “Mutations”, which came down hard on TGD for treating Paige Spara only slightly better than a Hollywood extra in this particular episode, can be found here.

19) “Shaun… you need to text her back.” (from 3.7 "SFAD" )


IN SHORT: With Carly out of town attending a conference, Shaun finds himself struggling to communicate with her “the right way” via text. After this brief exchange with Shaun… well, suffice to say Lea was struggling a little as well.

BEST REMEMBERED FOR: The satisfied look on Shaun’s face as he sent the perfunctory  I have received your message to Carly… and the Oh, dear look on Lea’s face that followed.

(Which is cut off in the clip I included, so here it is...)



18) “When you start a new life event, you get pancakes.” (from 2.16 "Risk and Reward")

IN SHORT: It starts as an early-morning-in-the-life-of-Dr.Murphy episode, but the catch is clear: he’s not going in to St. B as a surgical resident this time. Lea (acting a whole lot more like a wife than a roommate in this situation, BTW) makes a batch of “fresh start” pancakes in an effort to encourage Shaun to embrace his new role in Pathology.

 
BEST REMEMBERED FOR: two things… 1) the way Shaun brushes his hair before exiting the bathroom, then steps back in and gives the front of his head a little tousle as if to say I’m still me, no matter what department I’m in at work. 2) the fact that Shaun seemed pleased to see the pancakes until the moment Lea explained what they were for; he ended up leaving the house without so much as a bite of his favorite food. (I know it was to symbolize his deep disdain for the situation at hand, but I couldn’t help but feel for Lea… Dude, she went through all this trouble! Can’t you at least take a few to eat later?)

17) “Commencing a hang.” (from 3.11 “Fractured”)



IN SHORT: Shaun comes home from his first day back at work following the Wyoming trip. Lea, perched on the sofa with her laptop, tries to check in with him… but with his head swimming in confusion over feelings for Lea vs. feelings for Carly, he quickly takes Lea up on an offer to “just hang” (silently). But in the meantime, he’s taking something Dr. Andrews said very literally, trying to gauge if his heart truly does beat faster when he’s close to the one he loves.

NO, they didn’t lay it out quite that explicitly. But did he attempt this experiment with Carly? He did not.

Anyway, his experiment did little more than puzzle Shaun further, and generate some curious looks from Lea… until, of course, a phone call from Morgan sent him back to work.

BEST REMEMBERED FOR: Since this was Lea’s only appearance in the episode beyond the opening still-in-Wyoming scenes… and since she was suddenly the subject of multiple conversations (Shaun/Carly, Shaun/Glassman, even Shaun/Morgan)… I think we were all hyper-curious as to what would happen next with #Shea. We knew better than to expect a full 180 with Shaun and Carly at that point, right? So the unknowns persisted… until the ending minute of the episode, that is. (See #20 on my list.) As a stop-gap scene, I think “Commencing a hang” did the job just fine. But as a device to leave us wanting more (much more!) from Shaun’s interactions with Lea, it did the job SUPREMELY well.

16) “Maybe pathology won’t be that bad after all…?” (from 2.17 "Breakdown")


IN SHORT: Shaun and Lea are having dinner together at the apartment (at least it appears that they are both eating the same thing at the same time). As Shaun relays some details about one of the Cases Of The Week (a case that he’s still connected to, though now from the Pathology lab), the conversation bends so that Lea can point out the current positives of his situation: solving medical mysteries with “a co-worker you like who's nice to you” (Carly, who was just his colleague at the time). But Shaun, still unable to accept his situation as final, abruptly cites work to do and leaves the room.

BEST REMEMBERED FOR: Little things. The fact that they were sharing a meal together, chatting about work (at least to start). The way Shaun’s voice took on that more intimate tone when he said “(Carly) says we make a good team.” The frustration Lea for him at the scene’s end. (BTW, I think this was the last exclusive scene they shared until the final minutes of 2.18 “Trampoline.”)

15) “You never used to do that.” (from 3.15 “Unsaid”)

IN SHORT: For the second time in the episode, Lea (now a
new employee at St. B) finds her way to Shaun’s cafeteria table and, while venting about Glassman’s less endearing habits, starts eating food off Shaun’s plate. When Shaun tells her that Morgan has likened this behavior to “peeing on his leg” (!!!), Lea tames her annoyance with Morgan just enough to become the model of platonic reassurance… and just long enough for Shaun to have a medical epiphany and flee the scene (leaving Lea with his largely unfinished breakfast, heh heh).

BEST REMEMBERED FOR: There were several steps the “Unsaid” episode had to take in order to set up the climactic karaoke scene properly. We knew Carly’s jealousy issues seemed to be more under control at this point (evidenced most vividly with the elevator sequence between her and Lea), but as usual, we had very limited direct info about Lea’s true feelings. (Hell, even her sought-after advice to Shaun about handling the press in the “Influence” episode prior to this had been delivered off-camera.) So the TGD writers bring her to Shaun’s cafeteria table. Morgan talks about her in the OR. Lea and Carly share an elevator ride. Lea comes to Shaun’s cafeteria table AGAIN. That was already almost twice as much as we’d see Lea in any recent episode, and I didn’t even include the karaoke bar sequence!

What does any of this have to do with Lea’s “true feelings” being made clear? On the surface, not much—which is why we were truly on the edge of our collective seats wondering what she’d say when Shaun laid it on the line at the end of the “Autopsy” episode. But as TGD built up the “just friends” argument, they did a sly thing in this scene: what Lea said was (I’m partly paraphrasing) “I assure you, my voice and my actions are saying the same thing right now, which is pure, non-threatening, platonic friendship.” My thought: yes, she was saying all the right things in the right manner, but that’s hardly the same thing as speaking from the heart… and she stated as much in that exchange.

It’s all water under the bridge now, but still a distinction worth noting.

SO! You may be wondering hmm, that other cafeteria scene must be ranked higher on Kelli’s list. I wonder why?

I’ll tell you in future countdown posts!



Saturday, July 11, 2020

#SHEA Ultimate S.O.S. Playlist, Volume 5 (Tracks 21-25)



This edition of the Playlist is dedicated to the back five episodes of S3… when “Autopsy,” “Fixation,” “Heartbreak,” “Hurt,” and “I Love You” had all us #Shea fans agonizing over Shaun and Lea’s future… and, at times, wondering if they still HAD a future. 

That run between February and March took us all through the gamut of emotions… and now that they’re “together” (at least as far as S4 goes), it’s a lot easier to deal with in retrospect than it was in real time! So let’s dig in to five more contributions…


SONG: “Up” by Olly Murs featuring Demi Lovato

Songwriters: Wayne Hector, Daniel Davidsen, Maegen Cottone, Peter Wallevik, Mich Hansen

Submitted by: Rose Amelie

Comments from Rose Amelie: “I discovered this when I put an Olly Murs playlist in YouTube… it could easily represent Shaun's feelings in the "Heartbreak" and "Hurt" episodes (the pain of a broken heart, and the hope that the things would work anyway):

Lyrics (Murs): 
Just breathe against the glass

Leave me some kind of sign
I know the hurt won't pass, yeah
Just tell me it's not the end of the line
Just tell me it's not the end of the line

“But it also represents Lea after her love confession:

Lyrics (Lovato): 
I never meant to break your heart
Now I won't let this plane go down
I never meant to make you cry
I'll do what it takes to make this fly

“And finally, both compromise to this:”

Lyrics (sung together):
Oh, you got to hold on
Hold on to what you're feeling
That feeling is the best thing
The best thing, alright



I'm going to place my bet on us
I know this love is heading
In the same direction
That's up
  
Comment from Me: Olly Murs is a U.K. artist who came to prominence via The X Factor. He’s apparently done well internationally but hasn’t made much headway in the U.S., which is why I’d never heard this 2014 duet with Lovato until now. (And that's a shame, because I really enjoy its Phillip Phillips-esque groove and think it would have fared well on radio over here!)

The official music video is worth a watch; I really like the concept and can almost picture Shaun and Lea in the respective male/female roles… not just because they’re breaking stuff, either!



If you’d rather just check out the lyrics… HEAR IT HERE


**

SONG: “Yours to Hold” by Skillet


Songwriter: John L. Cooper

Submitted by: Amy Danko

Comments from Amy Danko: “Someone used this in a fan-made music video for Booth and Brennan from Bones that I saw at YouTube, which isn't there anymore… but I loved the song so much that I bought it. All these years later, I can't rightly say the entire song fits for #Shea, because they know each other's names… but it reminds me of them, and I really put it into heavy rotation in my music library after "F&F" aired last December. 


Knowing that Shaun had feelings for Lea, and, especially after "F&F," thinking to myself all those weeks that she ABSOLUTELY had feelings for him that went beyond just being best friends, I went around listening to, humming, and singing this song A LOT in January and February and March. And I still am… you can guess which parts of the song really remind me of how they feel about each other after reading the lyrics.”

Comments from Me: Though Skillet is a Christian Rock band, this track from their 2006 album Comatose appears (via the lyrics; I have no other info about it) that it could be secular in nature. As you’ll see in both “Yours to Hold” and the next song on the Playlist, interpretation is everything… once the words are out there, songs mean what they mean to people.

SAMPLE LYRICS

Every single day
I find it hard to say
I could be yours alone
You will see someday
That all along the way
I was yours to hold
I was yours to hold

I'm stretchin', but you're just out of reach
You should know
I'm ready when you're ready for me
And I'm waiting for the right time
For the day I catch your eye
To let you know
That I'm yours to hold


**

SONG: “You Say” by Lauren Daigle

Songwriters: Jason Ingram, Paul Mabury, Lauren Daigle

Submitted by: Tammy Lewis


Comment from Tammy Lewis: “When I heard it, I thought of Lea trying to convince Shaun how important his love is to her.”


Comments from Me:
This song-- which, to me, benefitted greatly from a production job reminiscent of Adele's "Someone Like You"-- did for CCM artist Daigle what a song called "Find a Way" did for Amy Grant way back in 1985: found its way from Contemporary Christian radio to the mainstream... to a coveted space on Billboard's Top 40... to secular starmaker status. 

Back to what I said about the Skillet song... interpretation, interpretation, interpretation. Daigle herself describes "You Say" as "a song of my identity," which I think is generally considered to mean her identity through a higher power. But what if it's thought of in secular terms... in this case, a woman we've all recognized for her self-worth issues... and her struggle to see herself with the same loving eyes that Shaun has for her? 

I don't know if ALL the lyrics to "You Say" work for such a take, but neither do all the lyrics to many of our playlist choices. I think it's a most interesting suggestion! 

(By the way, THANKS Tammy for your suggestion... and remember you can always send more! That goes for all readers... here's the "call for submissions" post link!)

SAMPLE LYRICS

You say I am loved when I can't feel a thing
You say I am strong when I think I am weak
And You say I am held when I am falling short
And when I don't belong, oh You say I am Yours
And I believe, oh I believe
What You say of me
I believe


**

SONG: “Fall On Me” by A Great Big World Featuring Christine Aguilera


Songwriters: Ian Axel and Chad King

Submitted by: Angelica, while giving a shoutout to YouTube #Shea contributor supreme Sheree-Lynn Blizzard. “Fall on Me” is the piece of music behind one of Blizzard’s most-watched #Shea videos to date. Check out THIS POST for more about her work!)

 

Comments from Angelica: “This fanvid “Fall on Me” (from Blizzard) gets its title from the featured song, which itself is a duet performed by A Great Big World and Christina Aguilera. IMHO, the video does a great job of presenting Shaun and Lea's separate perspectives by synchronizing edits with the solo performances of each singer to effectively convey each side of their story.”

 

Comments from Me: A Great Big World and Aguilera combined forces previously on “Say Something,” which became a tremendous hit after performing it on NBC’s The Voice. “Fall on Me” was released earlier this year, but didn’t duplicate “Say Something”-level success (at least not in the U.S.) But it’s a beautiful contribution both to Blizzard’s catalog and our Playlist. 


SAMPLE LYRICS
Fly like a cannonball straight to my soul
Tear me to pieces and make me feel whole



I'm willing the fight for it
To feel something new
To know what it's like to be sharing a space with you


 

Fall on me
With open arms
Fall on me
From where you are
Fall on me


With all your light
With all your light
With all your light


Take away the visuals many of us are now used to seeing, and the lyrics still carry Shaun and Lea’s perspectives with grace. HEAR IT (simply as a lyric video) HERE 



**

SONG: “All I Know” by Art Garfunkel

Songwriters: Jimmy Webb++

Submitted by: Me (Kelli)

Leave it to ME to contribute the oldest song (by far) in Volume 5… 😉

 

This song—a Billboard Top 10 hit in 1973—is one of several that stand out from my earliest days. This is probably because I was raised largely on my older siblings’ Simon and Garfunkel albums of the late 60s, and “All I Know” featured Garfunkel’s lovely, lilting tenor in a way similar to “Bridge Over Troubled Water.”

 

I think the opening lines of “All I Know”—                                      


I bruise you, you bruise me—sprang to mind for me by the end of the “Heartbreak” episode, when it felt like both Shaun and Lea had done all the damage they could do to each other (and their relationship). I had to dig up the rest of the lyrics to see if the song made sense for them, and I really think they do—especially for this back arc of S3. Jimmy Webb wrote a wealth of recognizable hits in the 60s, most notably “Up, Up and Away,” “Wichita Lineman,” and “MacArthur Park”… but the lyric structure of “All I Know” is considerably simpler. Probably because the core is simple: I love you, and that’s All I Know.

 

Anyway, the bridge lyrics are what hooked me:

 

When the singer's gone
Let the song go on
It's a fine line between the darkness and the dawn


They say in the darkest night, there's a light beyond

 

The arrangement of Garfunkel’s version of the song is, as I said before, similar to “Troubled Water” in its swelling orchestration, climbing-ever-higher vocals, and cannon-like sounds in the final minute. But then, in a way very similar to Barry Manilow’s “Could It Be Magic” from the same era, “All I Know” calms all the way down to the simple, piano-only intro with which it started.  I like to think of the “swelling” part of the song as the final parts of the season finale… and the “calm” part as Shaun and Lea in much quieter, gentler moments that now lie ahead. 


As a bonus… I found a 2010 version of this song that was recorded as a duet between Jimmy Webb (the songwriter himself) and Linda Ronstadt. What’s especially poignant about this recording is that it was one of Ronstadt’s last—as you might know, Parkinson’s Disease has robbed her of her ability to sing, and I think she’d already announced her retirement by the time this was recorded (she’d stopped performing in 2009). Webb is apparently a long-time friend of hers, and he persuaded her into the studio once more with this lovely (and considerably sparser) version.