Here's what I'd like to do... for each senior Grand Prix event that transpires this season, I'll choose a few competitors for whom I'll compare/contrast last year's program to this one (the Free Skate in this case). Do we like the new stuff we see? Do we miss the stuff we don't? Can we miss it if it hasn't gone away (aka keeping last year's music)? Let's find out...
Jeremy Abbott (finished 5th)—so far, I’ve got to
admit that his new FS (to “Bring Him Home”) is not my favorite of his. And
that’s not because he had difficulties with it at SKAM. When Abbott said in the
spring that he’d be keeping one of last year’s programs into 2012-13, I hoped
it would be the Muse piece (“Exogenesis Symphony Pt. 3”). Seems he had a change
of heart somewhere in there. To me, the new FS feels like a Muse sequel of
sorts—similar in theme, and lovely enough, but not quite able to compete with
“the original.” At this point, I kind of wish he’d gone in a whole different
direction... (especially when it comes to choreographing back-to-back triple axels-- no, that's insane, cut it out!!)
Michal Brezina (finished 6th)—aha, a trick question
because it’s the same “Untouchables” program as last year. Though I haven’t
checked the numbers, I read that this year’s performance at SKAM actually
scored higher than last year’s—which won the event! In any case, I wish he
wasn’t in the habit of keeping programs for 2 seasons each. What sounded
exciting for him last year is already sounding tired to me.
Yuzuru Hanyu (won silver)—last year’s modern-day Romeo & Juliet vs. this year’s more
traditional Notre Dame de Paris? I
choose Notre Dame...so far... but then again, I wasn’t a huge fan of his other program.
Ashley Wagner (won gold)—I’m going to vote for the new FS (Sampson & Delilah) even though I
LOOVED her Black Swan. Why? It’s
about timing: Black Swan was her
breakout season. Sampson feels more
like music for someone who has already “broken out” and is now ascending at a
healthy pace. I’m not sure yet about the orange dress (then again, I’m not
a big fan of orange), but I like the progression just fine.
Christina Gao (won silver)-- aha, another FS
repeat from last year (Liebertango)...
perhaps because she’s a Harvard student now and was doing well just to train
and get ONE new program together? Whatever the reason, I wasn’t even sure it was
the same thing until I looked it up—that’s how night-and-day different this was
from her last GP performance of it... at 2011 Rostelecom Cup, where she
finished 10th.
Alena Leonova (finished 7th)—Uh, what was the new FS?
Oh, a flamenco number called “Poeta” (Vicente Amigo)... why don’t I remember
it? Because she skated in the first group Sunday and I haven’t even
taken a look at it yet. That being said, I still choose this year’s music. Why?
Because it contains nary a note of anything from Requiem for a Dream (Nightmare), that’s why. And that’s all I need
to know.
4 comments:
I honestly have to disagree with the remark made about Jeremy Abbott's FP. Last year's Exogenesis program seemed to be something different: it seemed to relate to a theme of longing and passion for something that eludes him (which is more or less, consistency). Bring Him Home has tinges of heart felt emotions of freedom and joy in the bleakest moments.
I know I make absolutely no sense, but that's just my 2 cents :)
Yes, you make sense-- and I like your insight! I'm going to pay attention to "Bring Him Home" as it evolves (probably will re-watch the SKAM performance too). Maybe it's something that'll just take a little longer to make its mark for me... Exogenesis roped me in from the first time I saw it last year.
Ok I know you didn't mention Davis and White, but good god, their new free program is MAGIC and LOVE etc. etc. I know everybody was saying that last years Die Fledermaus was the best, but I have to disagree. Their strength is definitely drama and passion and the new program has got to be right up there with their Phantom of the Opera and Samson and Delilah programs.
I will definitely include D/W in a future conversation :-)
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