Thursday, April 2, 2020

State of the #SHEA part 16: The Bitter and the Sweet of #Shea Survivor Guilt


So!

It’s a good week for #Shea shippers… as in extremely good… as in Oh-my-God FINALLY good. Right?

And we’re gonna talk about it and talk some more, because one of the few “perks” of being at a season’s end is the time lying ahead to discuss all the things you didn’t have time to discuss before.

But… not so much talking about it just yet.

Because there’s a problem, and that problem is for every fan of TGD that had the jubilation tears in their eyes by the final scene, there was another one sobbing over the tragic fate of Dr. Neil Melendez.

There were also those just crying over everything—Morgan’s hands, Park staying with Casey in his final minutes, Lim and Claire and Glassman as each bid Melendez goodbye… maybe even for Lea as she stood vigil for Shaun, outside the brewery as the sun came up (even though we all know the titular character on the show has a little more job security than the rest of the cast)…

Yet putting yourself on the TGD rollercoaster of emotions is one thing, and feeling so sick by the end that you vow never to get on said rollercoaster again? Two very different matters.

I don’t think I’m going out too far on a limb to say now what I (and maybe you) were thinking as Shaun and Lea’s situation grew a little more agonizing each week—that somehow, someway, this was going to turn around by the final credit roll on March 30. TGD seldom fails to keep us guessing, but one thing that has remained constant in all three seasons thus far is that Shaun was faced with a “darkest hour” in his personal and/or professional life in the final few episodes, only to have some sort of beautiful “dawn” break in the nick of time.

Season 1: His mentor Dr. Glassman gets diagnosed with what is initially believed to be an inoperable brain tumor; Shaun becomes so obsessed with trying to find an overlooked solution that he makes a critical mistake during an operation… but in the end, Glassman’s prognosis proves to be much better than expected (and Shaun ultimately remains a part of the St. B residency program, though they didn’t truly resolve that issue until the start of Season 2).

Season 2: Dr. Han’s discriminatory ways lead to a meltdown and Dr. Murphy’s firing; it takes a bar fight, a hospitalization, and Dr. Andrews laying his job on the line (among other things)... but Shaun gets his job back in the last 20 minutes of the finale, and even gets a head start on Season 3 by making a date with future girlfriend Carly.

Season 3: Even in the most literal sense it was there, considering all Shaun and Lea’s most heartbreaking scenes all happened at night (starting all the way back at “Friends and Family”)… and then we had Shaun toiling through a dark, crumbling brewery basement for the past two episodes… AND THEN Shea 2.0 managed to become official just as dawn broke over San Jose.

Bygone conclusion or not, Shaun’s much-needed happy ending clashed this time around with all the other stories surrounding the earthquake episodes. With Melendez’s passing, though (and subsequent outrage from viewers), the clash is severe enough to leave many a #Shea fan hesitant to even express their joy on social media for fear of being verbally assaulted by a Melendez Mourner. Or at best, a comment like “IDGAF about Shaun and Lea, they killed off Melendez… I’m so done with this show.”

The fact that the TGD finale for season 3 impacted so many different characters, at such a significant level, is a testament to the show itself. The finales for S1 and S2 were complex too, but the lion’s share of the story each year was Shaun’s. Three years into the series, all of Shaun’s friends and colleagues are more than the supporting cast. We’ve met members of their families (save for Lea, which I really hope is rectified next season). We’re familiar with their lesser-seen sides. We have a deeper sense of what makes them tick. Consequently, everyone in the cast brings even more to their roles, and we (as viewers) “get into it” with greater intensity, as the CTV slogan says at the end of each Canadian TGD promo.

But there’s two sides to that coin. Death is the ultimate drama, I suppose, so it’s on the table of possibilities at all times- that’s why we feel sad even when a “patient of the week” that we’ve barely gotten to know ends up dying. Put a series regular at death’s door, especially one that has endeared himself to the audience, and things get testy in a hurry. My own initial reaction to the “who’s gonna die??” question about the quake was simple—and as it turns out, wrong (what else is new?). I said it won’t be Glassman or Melendez; they’re the ones being mentioned in the previews the most, that’s a sure sign they’re in the clear.  Welllll….

But another reason I said that was because I didn’t really think either character was expendable. Glassman for sure was not; although the continued gossip about a possible reboot of The West Wing (the NBC series for which Richard Schiff won an Emmy) makes me curious about what might happen in the future. For now, the character is a mentor to many and, more importantly, the father Shaun clearly didn’t have in his life until he was a teenager. His health scare came and went in S1 and S2, and he’s apparently now to the point where he can slam his dislocated shoulder into a doorway in order to, um, re-“locate” it. (Also… YEOWWWW.)

Dr. Neil Melendez, on the other hand? If I look at the characters on paper it makes a little more sense in that we haven’t gotten as deep a read on him as others—the only family I remember seeing of his came in a single episode, when he visited his developmentally disabled younger sister in the closing scenes of an episode in S2. Some of his development definitely came via Shaun—just think about their early days, when he was restricting Dr. Murphy to suction duties and, in return, fielding those direct-as-hell questions about his arrogance—but since spring of 2019, it’s been almost exclusively about his romantic relationships with two key women in the cast. In different ways, Dr. Lim and Dr. Brown helped “flesh out” Melendez, and obviously got countless fans caught up in whether or not the show should pursue Melendaire (Neil and Claire), or return to Limlendez (Audrey and Neil).

The answer, we know now, is a decisive NONE OF THE ABOVE (apologies to fans that are insisting Melendez might still return for S4, but post-finale interviews have been clear about this.) And it’s a gamble—a big one—to go this direction. But while I’d never presume to know how such decisions are made within a TV series that universally reflects positive relationships between cast and crew, I DO wonder if the looming Melendaire possibilities were just more than the show wanted to deal with in the #MeToo era. (Another post for another time; again, I love the fact that there’s plenty of weeks/months to explore things in TGD’s off-season!)

And if that means the show wrote him into a corner they couldn’t get out of—which happened to be the very thing I feared back when the character of Lea appeared to be in jeopardy (see my post about the “Mutations” episode —then wow, how incredibly ironic that Melendez was the one shouting for Lea’s safety during the quake (“Lea, get out of there!!”) when HE was the one who paid the ultimate sacrifice. (Thanks, Amy Danko, for helping with that realization!)

Obviously we #Shea fans are excited for what’s to come, but truth be told, I worry if the show will take a ratings hit over the Melendez decision. Only time will tell, I suppose, if sustained anger might lead to S4 being TGD’s last.

In the meantime, though, there is much to celebrate, and I hope TGD fans (die-hard #Shea supporters and otherwise) get to a point soon where we don’t have to feel isolated in such a hard-fought-and-won victory. Another thing said frequently in post-finale interviews (which I’ll give links to in the future) is that they’ve been planning for Lea and Shaun to end up together this entire season. Again, I’m not really surprised by that NOW (January was a different story). But what I’m trying to underscore is that TGD is always going to be a show that, first and foremost, is about an extraordinary doctor evolving in an ordinary world. What happens around him will remain fluid. The longer it stays on the air, the greater the possibilities for controversial casting decisions. That’s the good and the bad of any drama. (Just ask remaining fans of Grey’s Anatomy, which I’ve never watched in my life but understand it to be up to its eyeballs in beloved-but-deceased supporting characters in its 16 seasons on the air.)

You know who said it better than me? Fellow TGD fan Erin (@tncoffeerunner):

I know people are upset about Neil but the show doesn’t revolve around him. In my honest opinion, those that don’t care about Shaun or consider him second fiddle to Neil can stop watching now. You are watching for ALL the wrong reasons.

So go re-watch all of Melendez’s sad-but-beautiful goodbyes; they were, true to form, lovingly crafted by the TGD writers (probably Shore himself in this case).  I’ll get my scuba gear in order in the meantime, and we’ll begin our deep dive into the “I Love You” episode in a few days. 

Sunday, March 29, 2020

State of the #SHEA Part 15B: What You (and I) Hope to See March 30


(NOTE: When I write for my skating-fan audience, as I’ve done primarily until this past January, I do as my fellow fans do and “try not to tempt the SkateGods” by assuming something really good is going to happen for a deserving athlete. So likewise, I’m trying to keep assumptions for the season finale of TGD to a minimum. Think of it as a protocol thing.)



It has been a long, long, LONG wait.

By the end of the “I Love You” episode of The Good Doctor Monday night, will #Shea fans feel their ship is officially setting sail?

Or did it set sail at the end of “Autopsy” (when the ILY’s were first spoken), but immediately hit choppy waters where it has been toiling ever since?

(I’m not as highly experienced a “shipper” as some of you, so forgive me if I screw up the terminology here and there)

Whatever you call it… whatever is taking place in the finale between Shaun and Lea… we have been given only the bare minimum of clues in the promos… and zero promotional photos. (There are plenty of promotional photos for “I Love You”; just none of Shaun and/or Lea.) Which is why the visuals I have here are pretty shabby, taken from their momentary appearances in the promo. But I thought we’d rather see these than nothing at all…


Speaking of which—what do #Shea fans want to see aside from the obvious? We can probably all agree we want to know, without a doubt, that the time has come for the stars to align and send Shaun and Lea over the bridge from friendship to boyfriend/girlfriend (might as well use Shaun’s preferred terminology for now). But what about specifics? Understanding, as usual, that their on-screen words and actions will have to be efficient and impactful… here are some of the “details” that have been suggested thus far:

Lea encouraging Shaun over the walkie-talkie to get out of there because they REALLY need to get a few things straight...

In my wildest dreams, when Shaun emerges from the building, totally drenched, Lea runs to him, launches herself at him, he hugs her back like he hugs Glassman while she cries, then she looks into his eyes and tells him, "You DO make me MORE, Shaun!" Or something like that.

Shaun and Lea talks. He explains to her that he can’t leave Vera. Lea, sad and very concerned understands. She says: “I love your bravery and compromise, and for that and other things I love you. Come back to me”. It’s kind of cheesy, but would encourage Shaun in that situation.

TONY (from the “Comments” in my previous post): 
As to something specific I'd like to see in the finale, here's my single-biggest hope: Lea correcting Shaun's "but I don't make HER more" statement. Because he very much does, and she KNOWS he does.

Sonya
@gl1tterycake
I don’t want Lea to die. That’s about it.

If I may dream… Lea tilting her head as in 2.4 (“Tough Titmouse”), acknowledging Shaun’s attempt to compromise with her needs, and both singing karaoke. ;)

AMY: (from the “Comments” in my previous post) 
Faced with the prospect of having the choice taken away from her in the most cruel manner imaginable, faced with a world with no Shaun Murphy in it at all, this is where Lea has to decide if whatever it is she's afraid of is worth never taking the leap of faith into a romantic relationship with Shaun at all.

Lea saying she loves Shaun with the earthquake and Shaun being in danger made Lea realize she loves him and would accept him he is willing to give him an opportunity to try their love.

I just want to see them hug/hold each other.

I resisted adding my two cents to any of these, but on Erin’s I had to say Honestly? Same here…

Because an embrace involving Shaun is always much more significant than that of a neurotypical person, so an embrace involving Shaun and the woman he loves, moments after a life-threatening situation has passed—yes, more than anything else I want to see that  need to see that  would like that very much (channeling Shaun’s words again).

But while I’ve got you here, I DO hope for a few other things:

1) That Lea is able to play a major role in getting
Shaun through whatever obstacles remain in his escape.  
Freddie Highmore has alluded to something “worse than the buzzing light in ‘Quarantine’” befalling Shaun during the earthquake; since he got through part one without excruciating difficulty, I’m guessing something—the rushing water, the perilous situation in general, a sensory factor we are yet unaware of—will endanger him even further. If so, Lea may need her voice and words to become the verbal version of her epic “Friends and Family” embrace… and also use her noodle (possibly some engineering skills if applicable?) to help guide him the hell outta there.

2) That Lea tells him he's wrong; he DOES make her "more" and tells him how (including reiterating that she loves him)
A LOT of us are hoping for this counterpart to the “Hurt” episode of course! It’ll be interesting to see how what the writers (of both episodes) chose to handle this.

4) That SOMEONE on the show is witness to Lea’s ability to do these things for Shaun.
This may not be possible, I know. Previews show most of the doctors (including Lim and Claire) back at the hospital tending to Melendez and others; Glassman has been back there for most of this crisis. Park will still be on-site, but obviously be tending to his young patient (who I’m going to guess doesn’t make it). So this is maybe a selfish wish on my part that Lea’s worth and deserved importance in Shaun’s life is clear to more than just us.

And if that’s not possible, I’d take the endorsement of Vera (Shaun’s current patient)… assuming she makes it out of there alive. Honestly, giving her physical state, I’m almost as concerned for her as I am for her doctor.

5) A race into each others’ arms…
Hopefully generated by whatever words have been exchanged at that point as much as the celebration of survival.

6) A BONUS: Lea- “Can I kiss you?” Shaun- “Okay”
(Self-explanatory)


That’s it for now… we’ll surely have plenty to discuss in a few days!

Friday, March 27, 2020

State of the #SHEA part 15: The "Hurt" that Helps




There’s a sizable fleet of writers on TGD who handle scripts both solo, and as part of a team. And when the show takes on a two-part episode, as it’s now done once for each season it has been on the air, it also takes on the challenge of not only setting up/resolving more complex plotlines, but creating enough conflict, engagement, and tension throughout the first part to hook us through to the second. I suppose there are those out there who were simply intrigued with the earthquake concept, and more or less “tolerated” the individual stories to see what the cliffhanger final three minutes would bring—after all, “Hurt” appears to have pulled in more viewers than any season 3 episode to date (6.81 million viewers; a 1.0 ratings share) Those might be the same viewers who griped about how the earthquake didn’t look authentic enough. (Don’t ask me, I’m a Midwesterner… we get a lot more tornados than earthquakes!)

Anyway… when Shaun and Lea took their Road Trip to Remember in “Islands Pts. 1 and 2,” their words in both parts were written by the same two people (Thomas L. Moran and William Rotko). “Quarantine Pts. 1 and 2,” on the other hand, had the same director for both parts—Mike Listo, who also happened to direct the “Hurt” episode—but 2 different writing teams. Of course, Shaun and Lea didn’t have any scenes together until the very end of “Quarantine,” and they were in the very platonic, nicely settled-in roommate phase of their relationship back then.

Hardly the case now, which could have made it all the more difficult for the writing team behind “Hurt” (Liz Friedman and Adam Scott Weissman) to sync up with whatever’s to come with Earthquake pt. 2, a.k.a.  “I Love You” (written by Weissman, David Hostleton, and David Shore). But I really liked what I saw in part 1—plenty of points for discussion; some of them stand on their own, others depend on part 2 for resolution. In fact, I was pleasantly surprised that at least a few of the items on my “Hurt” wish list were addressed, even with the quake hitting before the opening credits even made it to the screen. (Efficient storytelling strikes again!)

I’ll run through my list from the previous post (in bold) as we make our way through this episode…

What’s the timespan on the show between the parking garage scene in “Heartbreak” and the start of “Hurt”?

In the opening pre-shaken minutes of “Hurt” we saw Melendez encounter Lea at the bar of the brewpub as she ordered two Klosch beers. Was she there with a friend? No… “It’s been a rough couple of weeks,” she said
CUT IT OUT, Glassy
in explanation. Which answers a later wish list question of mine. Then she gets a savage evil eye from Glassman, standing a few yards away. Which answers yet A LATER wish list question of mine. (Damn, Friedman & Weissman did this well.) Plus, we later see that Morgan’s hand surgery was so recent—less than 2 days ago—that she’s still officially a patient, with the hospital gown to prove it. She hadn’t yet scheduled the surgery when we last saw her, so again, a two-week span from “Heartbreak” to “Hurt” seems about right.

…I want to know if Shaun has told Glassman (or anyone else) what he almost did to Lea’s car…

This is still uncertain, as it was only referenced this past Monday night by way of the (lengthy) recap of previous episodes at the top of the show. I’m going to guess, for now, that both Shaun and Lea are keeping the incident to themselves.

How are Shaun and Lea doing, individually, prior to the earthquake?

For once, interestingly enough, we have a little more of a direct read on Lea than Shaun for this. When I initially heard she’d be at the fundraiser, I thought she was going as a guest of Glassman’s. Hardly! She went on her own, perhaps in an effort to forget her troubles (“It’s been a rough couple of weeks”) and get happy in her so-called superficial, selfish way. Just her luck that she endures an earthquake and falls through the floor instead…

Andreas also noted that not only do we have shots of Lea “bookending” this episode—it starts with her ordering her beer(s) at the brewpub bar and ends with that GORGEOUS closeup as Shaun’s possible fate
Natural disaster glam
becomes frightfully clear to her—but in what seems like a TGD first, neither “bookend” shot pairs Lea directly with Shaun. This could bode well for those of us pleading for more character development for Lea in S4 (hand raised high here).

As for Shaun? There’s not enough of him in hospital mode to tell anything, but arguably his entire, immediate effort to find and rescue Lea conveys much of what he’s felt and continues to feel. 

And of course his stellar “Lea makes me… more” monologue contained no trace of the anger in “Heartbreak”—though his sadness behind the current state of things was palpable. (As was Lea’s… we’ll get back to that.)

Are we privy to any conversation, pre-earthquake, between Lea and Glassman?
No, but again, that look… it’s still making me uneasy.

What is Shaun’s new encounter with GhostSteve about?

Wow, did THAT scene generate a lot of Twitter conversation. The last time we saw Steve ahead of “Hurt,” he was calming Shaun’s first-surgery worries in the middle of the night… remember?

STEVE: Surgery’s the easy-peasy part.
(SHAUN sees STEVE’s head emerge from the top bunk of a bunkbed they are sharing)
STEVE: You wanted this. Enjoy it.
SHAUN: I can’t… if I get distracted, if I get upset…
STEVE: If you do, Andrews has your back.
SHAUN: If Dr. Andrews has to take over, then I have failed.
I have failed, and I have endangered a person’s life… and if I’m no good at the easy-peasy part, then what part am I good at?
STEVE: What do we do when we get all nutty like this?
SHAUN (thinks a moment): Blow out the candles.
STEVE: How many do you need?
SHAUN (thinks further): Three.
(STEVE disappears; SHAUN leans back on his pillow and exhales deeply through his mouth three times)

Flash forward to the Steve that Shaun encountered beneath the rubble in “Hurt.” Just the way he appeared—not in a kindly, I’m-by-your-side-
BOO!
whenever-you-need-me kind of way, but more like a scary, head-on, out-of-nowhere thing—was a jarring indication that this ‘visit” might not be like the others.

Why? The recurring reason I’ve seen proposed (and agree with) is that GhostSteve was this time representing Shaun’s internal dialogue—which, especially at this point in the season, has become rather savage. Just take Shaun’s actual lines out of the scene, and imagine him talking to himself instead:

You should be up there, doing your job…
You think rescuing Lea will make her fall in love with you.
It won’t. I used to believe in you… right now, I don’t.
She doesn’t love you. She told you.
She thinks you’re limited. You ARE.
      You are not her hero.

It doesn’t sound like GhostSteve because it isn’t GhostSteve.

I find it especially interesting, for all the discussion of “Love” this season (including its role in the title of the upcoming finale), Shaun/Steve is now telling himself that Lea doesn’t love him. Half of us probably rolled our eyes at that and said Oh, man, not you too (GhostSteve-as-Shaun’s-demons)? She DOES love him; I heard her say it herself! But in light of everything that’s been said and done since the moments those words were spoken by the two of them, it doesn’t FEEL like she loves him. When she said it, there was that momentarily flicker of joy on his face… but now, I wonder if he even remembers that moment.

Does Shaun actually find Lea and/or bring her to safety in this episode?  My guess is no… could it be that she gets out, either on her own or with assistance, while Shaun’s still deep into the crumbling structure looking for her?


And that’s exactly where we are, though that ambulance tailgate shot in the promo was a pretty big clue. Turns out it’s true… Shaun really isn’t “her hero” in that Lim and other first responders pulled her out first. But for at least two reasons I can think of right now, that’s good news for both of them.

1)   Shaun required himself to set aside his need to find Lea when he encountered Vera instead. He was able to get away with his singular search early in the episode, when the brewpub’s co-owner was in danger of permanent paralysis until a little burst of Shaun-Vision® spared her… but the second after he got his warning communicated to Claire and Melendez, he said “I need to find Lea.” And off he went. By the time he encountered Vera (and made his little “Hmm” sound of surprise/unexpectedness, which is somehow becoming one of my favorite expressions of his), his options were much more stark: somehow bypass this woman who clearly did need his help urgently (and keep seeking out a woman who very well might not), or put his own “fix it” needs aside and do his job.

Considering his trajectory of late, I’m guessing this decision was, for at least a moment, more difficult than Dr. Murphy ever realized it could be. But he made the right choice—and another step in his evolution was achieved.

2)   As things stood by episode’s end, Lea is now in a prime position to help save Shaun (rather than the other way around). Whether she knows he went “rogue” exclusively to try and help her is unclear to me; I’m not sure it would benefit either of them if she does know. But I think about the good that can come out of this dire situation—the boost it would give Lea’s flagging self-confidence, the power that the right words from her could have on him when he needs them most, the lessons in trust and surrender that might abound, especially for Shaun—and I’m even more eager for next Monday’s finale to come than I already am, if that’s possible.
 
Finally, I want to give a shout out to this device and the way it’s being utilized for #Shea’s quake saga. It made perfect sense for Shaun to be armed with a two-way radio as he searched the depths of the building, and it also made sense for Lim to tell him to keep the channel completely open (rather than open only when he pushes a button to speak) so that she could hear him at all times. So it doesn’t seem terribly contrived for Lea to be sitting there, walky-talky in hand, listening along. Sure we could quibble about the details—how did she happen to come across this particular radio tuned to that particular frequency, why is she able to hang on to it when someone in authority might need one, etc.—but it’s such a great way to move things along for them, I’m almost ready to call it another form of catapulting. But I want to see how it’s used in “I Love You” before entering that discussion.

Later this weekend I plan to do a post featuring what other #Shea fans have said they’d specifically like to see in the finale. I posed the question on Twitter the other day, but feel free to put your guesses in the Comments section of this post and I might share those too.

Sunday, March 22, 2020

State of the #SHEA part 14: That's Great, The Season Finale Starts With an Earthquake



(Apologies to R.E.M. And to Talking Heads for the last post title. I’ll try not to make lyrics-as-headings a habit, but this one was… well… Simply Irresistible.)

(With additional apologies now to the late great Robert Palmer.)

(OK, NOW I’ll stop.)

The more the #Shea arc built over these past few episodes of TGD, the more apparent it became that it was going to take something drastic to get Shaun and Lea onto a more positive track. When Jasika Nicole (Carly) said something in an interview several weeks back describing the season finale as “mindblowing,” I started brainstorming (which sounds a little like “mindblowing” but isn’t at all). And in the notes section of my phone I had a note that read:

“Seven words: Shaun and Lea get stuck in the elevator”

Actually, I was thinking the “mindblowing” season finale of which Ms. Nicole spoke involved some sort of massive power outage affecting San Jose (and St. Bonaventure) in countless ways, including THE elevator—the one that provided the setting for a couple of awkward or difficult exchanges in S3—heading for a doozy of difficulty if Shaun and Lea were trapped inside it… with nothing between them except some extremely painful recent moments… a whole lot of time… and every consequence (general fear, claustrophobia, anything additionally triggering for Shaun) the situation might allow.

BUT, hospitals have backup generators, and “stuck” elevators may be the exciting plot devices they once were, and, well, suffice to say I like the earthquake idea a whole lot better.


Metaphorically speaking, it’s rather perfect for Shaun and Lea. Their relationship, on the surface, is in tatters. A chance at a romance beyond their early, flirtatious days failed to launch thus far; their enduring friendship feels downright irreparable after the “Heartbreak” episode two weeks back. How could they make amends after all that? Should they make amends without some sort of commitment on Shaun’s part to start dealing with his aggressive impulses?

I’m thinking of things in terms of layers. Consider S1 & much of S2 #Shea as the grounding layer (or “laying the groundwork”, if you prefer). Then Shaun glides past Lea at the end of S2, asks Carly on that date, and for the first half of S3 Shaun builds layers on his love life by way of his budding romance with Carly… only to have it all pinpricked by Lea’s “Friends & Family” consoling (and selfless, and necessary) embrace, leaving us to muse at the possibility that Shaun and Carly’s foundation was anything but solid.

By the end of “Fractured” (3.11), Shaun was committed to building something stronger with Carly. But by the end of “Unsaid” (3.15), Carly was committed to getting out of the relationship. Shaun’s love life layers still existed, but at that point they were bruised and dented and unsteady. None of that really mattered when it came to Shaun admitting his love for Lea—we all knew it was there long before he did—but with her complicated-yet-simple reasons for declining a romantic relationship out in the open by the end of “Autopsy” (3.16), her own battered love life layers now co-mingled with Shaun’s. And, consequently, there was nothing but trouble going forward.

Watch the end of “Fixation” (3.17), and you see Lea fusing her “layers” into something fierce enough to finally drive Shaun away. Watch the end of “Heartbreak” (3.18), and you see Shaun do something similar, but with arguably more painful results.

Enter the earthquake that comprises “Hurt” (3.19) and “I Love You” (3.20), and you’ve got the very ground beneath them shaking all those shoddy love layers into rubble. And—oh, I just thought of this!—there’s even something metaphorically lovely in there about a fault line (where “fault” may fall between Shaun and Lea, perhaps?)… but I bet one of my trusty COMMENTERS can work on that-!

Anyway, my most expected hopes to come from this two-part finale are 1) Shaun, and especially Lea, to come to some sort of reconciliation…even if it’s the kind only borne of a life-threatening situation “making two people question what really matters to them,” as Paige Spara (Lea) said in this TV Insider preview of “Hurt”… (Andreas, this is your cue to remind us via the comments what the technical term is for this!) 

And 2), as an extension of any such reconciliation… #Shea 2.0. Layers building anew. A fresh start. Much of what we loved about #Shea 1.0, but a little older, a little wiser, and a lot of dedication to figuring out what each needs from the other and how to get it.

What about a “Hurt” wish list? Well, let’s start with what most of us have learned so far, via promotional materials and preview articles:

1)  A major earthquake strikes San Jose; it appears most principle cast members are either at St. B’s (Lim, Park, Morgan, Claire, Shaun) or at a fundraiser at a local brewpub (Glassman, Lea, Melendez) when it hits.


2) {Note from me: Ah, clever writers, taking the two most prominent (potential) couples of the show and splitting their locations…}

3) Lim assembles a team of doctors that’s been assigned to go directly to one of the hardest-hit locations—the aforementioned brewpub—and assist in search-and-rescue efforts. While gathering the St. B staff to make
this announcement, Claire notes that Glassman and Melendez were guests at the brewpub that night.

4)  Glassman is the only one we see escaping the brewpub early on. Lim asks him to return to the hospital (where surgeons are in short supply). On his way out, he sees Shaun and informs him that Lea was in the building along with him and Melendez.

 5)  When Glassman can’t account for her current whereabouts, Shaun heads on into the building, determined to find her on his own.

6)   Additionally, by seeing the CTV (Canadian) promo and/or reading the list of guest stars in “Hurt,” we’ve learned that Shaun gets a visit during the search-and-rescue from brother Steve (played by Dylan Kingwell). The last time long-departed Steve “visited” Shaun was before and during Shaun’s first lead surgery (later aborted) in “First Case, Second Base” (3.5).

So that’s what we know. Here’s what I’d like to know by the end of TGD season finale pt.1:

1)   What’s the timespan on the show between the parking garage scene in “Heartbreak” and the start of “Hurt”? Typically it doesn’t seem to be much more than a handful of days between TGD episodes in general (at most), but the fact that Morgan is seen in all of the “Hurt” promos with bandages on her hands—
presumably from that risky surgery that Glassman urged her to reconsider last episode—I was curious if a little more time had passed than usual.

2)   The timespan question is there because I want to know if Shaun has told Glassman (or anyone else) what he almost did to Lea’s car. If Glassman knows, perhaps he has re-planted the idea of Shaun benefiting from some sort of therapy prior to the evening of the earthquake. If Shaun has told someone else (Claire, Park), maybe one of them brings up the idea and it has a better chance of “sticking” than it would coming from Glassman. It might be especially meaningful coming from Park, who was there when Shaun’s lack of impulse control got himself arrested (“Autopsy,” 3.16).

3)    How are Shaun and Lea doing, individually, prior to the earthquake? Is Shaun showing signs of remorse? Has he returned to his more genial self at St. B? Does Lea show any visible signs of her own heartbreak? Have they successfully steered clear of each other? Is there any chance Shaun *has* to steer clear of Lea because she got a TRO (Temporary Restraining Order) after the parking garage incident? It seems unlikely, but hey, it also seems justified…

4)   Are we privy to any conversation, pre-earthquake, between Lea and Glassman? I know I keep asking for this and not getting it, but at least this time we’re certain they are in the same location in the same episode… what I’m wondering now, I suppose, goes back to the question of Glassy knowing about Shaun’s baseball bat moment and if/how he discusses any of that with Lea. Would he try to explain it away? How much concern does he have for Lea’s well-being coming out of that situation? (My guess is that we won’t really find out, as it will all get pushed aside when the tremors begin.)

5)   What is Shaun’s new encounter with GhostSteve about? “You’re not her hero,” Steve advises him in the CTV promo. Which is exactly what Shaun does NOT want to hear when he’s halfway through the demolished basement of a strange building, looking for one of the most important people in his life… so… what the hell, GhostSteve?? (I’m sure it’s all for a good reason, but still...)

6)   Does Shaun actually find Lea and/or bring her to safety in this episode? My guess is no, due to all sorts of obstacle potential (including his responsibility to care for any other victims he encounters along the way). In fact, some of us have noted that the shot of Lea now included in the ABC promo looks like it could be her sitting on the tailgate of an ambulance… could it be that she gets out, either on her own or with assistance, while Shaun’s still deep into the crumbling structure looking for her?

7)   And if so, what happens when she realizes Shaun is
still in there? (I want her to go in after him if that happens. Just putting that out there now.)

8)   And exactly when should we expect those dreaded aftershocks to jumble everything up? (Answer: the moment we think we’ve got this episode figured out. Of course!)

9)   Finally… how will this latest preview (featuring intriguing-if-not-all-that-revealing quotes from showrunner David Shore) go down after we’ve taken in part one of this two-course entrée?

So hold on to something this week, #Shea shippers… looks like everything we’ve watched these two deal with these past few months was merely a warm-up for the intense-a-fest starting this Monday night.

Don’t forget to jump into the comments and/or tag me on Twitter @KLBSt8ofSk8) with your own thoughts about the “Hurt” to come!

Thursday, March 12, 2020

State of the #SHEA part 13: And You May Say to Yourself "My God, What Have I Done?"




We’ve got to talk about “Heartbreak’s” penultimate scene.

If you’re still “Team #Shea”, as I guess you are to some degree if you’re taking the time to read this, I’m going to assume you are not looking at the scene with the same eyes as the TGD viewers who are applauding Dr. Murphy’s approach (“Bravo Shaun!”…“Lea got what was coming to her!”… “I wish he’d gone ahead and bashed the car in!”)

You know what’s (not so) funny about that? After the “Fixation” episode concluded—and the Anti-Lea talk reached a fever pitch--  I wondered if what those viewers wanted, at this point in the story, was some sort of comeuppance for her. But I didn’t really expect them to feel like they actually got their wish. Certainly not like this.


I was hoping Shaun and Lea wouldn’t see each other in “Heartbreak.” If we saw Lea at all, I hoped it would be her talking to someone else in the cast. Or talking to herself. Or to Bertie the Fish (assuming he’s still around somewhere; not sure which of them got custody after she moved out of the apartment). Or a potted plant. ANYone or thing that would help her viewpoint be better seen.

Was it one more thing on my wish list for “Heartbreak  that was not to be? Well, not exactly. But we’ll get back to that.

AT LEAST THEY GAVE US SOME WARNING…

And here I thought the one-two punch of “Mutations” and “Sex and Death” would be the toughest episodes of TGD to get through this year. Nope. When Shaun, in a Weather Channel daze, wrapped in a blanket on his couch (where he apparently spent three days following the “Fixation” bridge scene with Lea) is Shaun in one of his more pleasant moments in an episode, you know you’re in for it.

So we got the dial turned up on his less charming traits— rudeness (a notch beyond “bluntness”), irritability, and self-pity for most of the episode, until Carrie Underwood’s Stunt Double went to work on Finn’s Mercedes (I think it was a Mercedes?) in the St. B parking lot. Then, in the time it took for him to do a little Q-and-A while bandaging Miss Jilted’s hand, we found Shaun saying “I like her” when the incident got discussed in the OR. Uh-oh.

His decision to seek out Lea’s Grand Torino with baseball bat in hand surely wasn’t helped by Shaun’s trip to a bar, where he threw back at least two shots in quick order—and if it was the drink he first learned to enjoy with Lea, I’m afraid “Tequila, STAT” will never be same. (As if the #Shea days of seasons 1 and 2 didn’t already seem long ago and far away.)

The last time we saw Shaun drinking at a bar, all by himself, was when he was fired from St. B and avoiding a scheduled job interview in last season’s finale (“Trampoline,” 2-18). Not exactly a great memory… but when it came to the penultimate scene in “Heartbreak,” more than a few not-great memories cropped up.

WE’VE BEEN WARNED BEFORE

Because let’s face it—this was not Shaun’s first rodeo when it comes to offensive, aggressive outbursts (that yes, are a part of his ASD) at the expense of another:

+      In 1-10 “Sacrifice,” he struck Glassman (and then ran off) while they were arguing in the St. B  lobby about Shaun’s need for assistance and/or therapy.

+     In 2-17 “Breakdown,” while we were not privy to all that happened in Dr. Han’s office before security escorted Shaun away, we saw enough to know his behavior was clearly perceived as threatening.

+     In 3-16 “Autopsy”—just a few weeks ago—Shaun’s erratic behavior at the home of Jane Doe’s son got him thrown in jail (albeit temporarily).

I’d be remiss if I didn’t include a reminder, at this point, that Shaun’s childhood was shaped greatly by his father’s violent tendencies.


And now, we have Shaun handling Lea’s version of bluntness with a threat to vandalize the “Striped Tomato”—a beloved vehicle that once took these two on the road trip to remember—with a baseball bat, right in front of a horrified Lea. When he can’t bring himself to swing the bat anywhere but to the asphalt ground below them, he opts instead for a vicious inventory of everything negative about Lea that Shaun can think of to say… things he’s not only assessed from recent encounters with her but heard from the BV-ites, from Glassman, from Lea herself.  And being Shaun at that point, in a very downbeat episode of the show, it was A LOT.

Remind me again why Lea was evil for citing his autism as a reason things can’t work out for them?

“Heartbreak” struck a nerve for many of us. At the most basic level, Shaun’s behavior in that scene was more than unacceptable—it was criminal. And those that are better-informed on ASD matters than a layperson such as myself will tell you that violent behavior is a well-documented problem with autistic individuals. I mentioned over on Twitter this Reddit post by Andreas (a fellow TGD fan and frequent reader of this blog); it is an incredibly helpful look into the autistic-related behavior that not only shapes Shaun’s personality, but Lea’s reasoning thus far.


Speaking of Lea—who has obviously witnessed Shaun’s meltdowns before, but never one fueled in her direction—surely a part of her was confirming she’d made a good decision by the time Shaun walked away in that scene. 


But I’m willing to bet a bigger part of her was saying I deserved every bit of that. Not because she DID, but because she believes that she did. That kind of thinking is part of her bigger problem right now, as many of us have acknowledged. But self-esteem issues aside, some TGD viewers have come away from the “Heartbreak” episode hoping that if/when #Shea moves past recent events, Lea makes it clear that such outbursts are intolerable.


“IF/WHEN #SHEA MOVES PAST RECENT EVENTS”…?

Yeah, I said it. Remember the “catapulting” I discussed in the last post, and how Lea’s words on the bridge scene of “Fixation” felt like one of those moments? 



Technically speaking, Shaun’s unload on Lea in “Heartbreak” was a little longer, and a lot more verbose, than would seem to qualify as a catapult moment for the storyline. But I’d argue that the initial action of the scene—Shaun preparing to commit an act of vandalism—was the catapult itself. Because now, for all intents and purposes, the playing field has been leveled. Both have been crushed by the other’s words and actions in their own way. Everything important has been said; it’s been anything but pretty, but it’s out there now and that’s what counts.

So, um… bring on that earthquake?!?

(If you haven’t heard, San Jose gets rocked by a massive earthquake in the two-part season finale airing March 23 and 30… check out the promo here.)

AUTISM’S “DARK SIDE” MADE BRIGHTER

“Should autism be told as fairytale?” Andreas asked rhetorically at the conclusion of his aforementioned Reddit essay. And I have to admit, I think I’m guilty of wanting that at times. We’ve had three years to “meet” Dr. Shaun Murphy, get to know him, try to understand him. We want to see him in the light thriving, but if nothing else, we have to know by now that Shaun’s path to that destination is uniquely his… ASD shadows and all. (As is that of every autistic person on the planet.)

Initially I thought Shaun’s act of near-violence as something we might not hear about again; that it was perceived as the intense, eye-for-an-eye type of dramatic license necessary for Shaun to “get even” with Lea. But after taking in what my more knowledgeable fellow fans have said… I hope the time is coming next season for a deeper dive into Shaun’s well-established pattern of aggressive tendencies. As I understand it, such tendencies in autistic people CAN be curbed, in due time, with therapy and medication. Lea needs to know this, and hopefully, when the dust settles (literally) in the final moments of season 3, Shaun will be on his way to leaning into that very idea. 

And that journey, all by itself, would be far more compelling than any fairytale that comes to mind.

If you are so inclined, be sure to jump into the comments or tag me on Twitter @KLBSt8ofSk8 with your thoughts!