Saturday, March 6, 2021

Oh Baby?! The Makings of a "Crazy" #Shea Meatloaf


 

There they are, standing in their living room with hands clasped and a serious look on their faces, just as they’ve been standing for the past few weeks.


During that time, well, we’ve kept ourselves busy. As has been necessary, as has become the usual this year, when COVID-related production delays result in a trickle of new episodes instead of a steady stream. We’ve studied the ABC-released photos, examined the promo (sometimes frame by frame), run Twitter polls, waited for confirmation on new episode titles, waited for new synopses, waited for anything more than the little we sofar have to work with this month.


Crumbs. We’re working with breadcrumbs, folks. Nothing really new about that, except that the last two times it was what we thought we knew about upcoming certain episodes that drove us bonkers. This time, for many, it’s what we don’t know about Monday’s episode that’s doing the trick.


We think we know. A lot of us are looking at factors outside the “ending that will leave… you… STUNNED” and are saying screw ABC’s manipulation; this time when Shaun and Lea stand there like they’re posed at the altar it’s the start of major dramatic development in this relationship.


Consequently, it’s once again the talk of this blog’s never-dull comment gallery. Theories fly, references criss-cross, and sometimes the glances into TGD’s crystal ball grow so complex the #Shea shipper ends up writing a guest post (Thanks again, Andreas!)


But hey, there’s a production lull. What else is there to do?


Me, I’ve decided to head to the kitchen and get to cooking…because if Lea can use bad medical analogies to explain things to Shaun, I can use mediocre food analogies to carry us to the next TGD episode. Grab a seat while I get to work on…


A RECIPE FOR A  #SHEA MEATLOAF


🍏🏎🍏🏎🍏🏎🍏🏎

Whether you hear “meatloaf” and think fond thoughts (comfort food, and/or memories of home) or not-so-fond ones (tasteless slabs of questionable edibility, and/or memories of home), or even if you know it by a different name (shout-out to my international readers), it’s got the same basic elements as far as ingredients go:

  • Meat-- either all one kind of ground meat or a combination (I presume there are plant-based proteins that fit the bill here too)

  • Breadcrumbs or cracker crumbs, often soaked in milk first, which serve to both “bind” the meat together into loaf form and ‘extend” the meat you have into something more (which is why meatloaf is especially popular in the U.S. during depressions/recessions when $$ is even tighter). An egg facilitates things too. But don’t read too much into that, #Shea theorists… 😉

  • Vegetables, chopped fine, to help give the “loaf” more texture, flavor, and substance

  • Seasonings-- salt, pepper, etc.

  • A “topping” for more flavor/eye appeal, such as a ketchup glaze and/or strips of bacon (I personally can’t stand ketchup, so I prefer the latter)


For anyone who wants to share their own meatloaf experiences and/or recipes, head to the comments and go for it :) But right now I’ve gotta continue with the analogy…


THE MEAT of the Meatloaf


I’ll cut to the question that seems to be on everyone’s mind: Is Lea pregnant? 


Is that the “stunning” revelation at the end of the “Crazy” episode?


It’s a theory that has grown legs and run amok these past few weeks, fueled especially by THESE BREADCRUMBS…



            🥖#Shea fans racking their brains as to what could be more “stunning” than a totally unplanned pregnancy… assuming that the “stunned” part involves #Shea at all, that is


            🥖Revelations, via Paige Spara’s IG, that she’s altered her hairdo a little and now has a little fringe of bangs… which has led some to suspect a time-hop is on the way (which would allow the show to pick up the story a few months into the pregnancy)


            🥖Forthcoming episode 4.12 now confirmed to have the title “Teeny Blue Eyes”


             🥖A synopsis for forthcoming episode 4.12 “Teeny Blue Eyes”... which I think many of us only discovered THIS MORNING (Saturday)... contains the following: 


Shaun and Lea are forced to make a life-changing decision that will alter the course of their relationship.





Well, now, hmmmm… what could all this possibly be about??? (she types sarcastically… if that’s a thing. Pretend it’s a thing, won't you? Thanks.)


When viewers started tweeting at me in the week following the “Decrypt” episode, asking if I thought a #Shea baby was on the way, I quickly tweeted back some variation of No! Not yet! I hope not… without realizing that yes, of course… that’s why it could be happening now.


I initially didn’t want to see a pregnancy (or even a pregnancy scare) this early for reasons similar to why I didn’t want Lea to move back in right away…there was a part of me that yearned for this non-traditional union to have some “tradition” to it (for lack of a better word). Marriage, then live together again, then babies a short while into marriage (realizing a baby would have to follow sooner than I’d prefer). As for the necessary dramatics, I expected something to go wrong with Lea’s first pregnancy-- a miscarriage, or an excruciating decision leading to an abortion, or even a stillbirth. But the recovery from all that-- coupled with a second, successful pregnancy-- was (in my mind) how Shaun and Lea could experience the highs and lows without a more obvious contrived breakup/makeup experience (e.g. Lea’s ex re-enters the picture). 


In other words, I figured there’d be enough baby drama down the road for them IF they stayed together… IF TGD continues beyond season 4. (And for the record, while season 5 seems very likely at this point, there’s plenty of speculation as to whether the show would continue beyond that. Not so much because of ratings as the fact that Freddie Highmore may not want to continue-- and when he’s done, the show is done.)


But my “figuring,” like your “figuring,” only goes so far when we’re not David Shore & Company.


And a baby-- or at least, a pregnancy-- would complicate the back half of the season in a consistent way… no more wondering what potential complicator was coming in the next episode/series of episodes (COVID keeps them separated?! Lea was married??? Shaun’s attracted to another woman???)...


Or how we’ll get to know Lea better (What will her parents be like??? How will she handle a tremendous IT crisis??? Will she and Glassman EVER get along???)


So here’s the thing: regardless of whether TGD Season 4 runs 20 episodes (like S3 did), or reverts back to 18 (Seasons 1 and 2), S4 is currently at the same point as S3 was when the “Fractured” episode was about to air after TGD’s 6-week winter hiatus. Weird, considering they were on the “Heartbreak” episode at this time last year. But true.


I think it’s safe to say that we’d ALL like to see more bits and pieces of Shaun and Lea’s Beautiful Love Adventure, so long as the potential outcomes didn’t worry us into oblivion. We hoped to see more “adjustments” as they settled into the loft apartment on new terms; as it happens, we didn’t even get to witness Shaun adjusting to sharing a legit mattress-off-the-floor bed with Lea. (Perhaps in the crush of ideas, it was decided that their dilemmas in the “Two-Ply or not Two-Ply” episode from S2 covered enough of that. I disagree, but again, I’m not the showrunner.)


I think it’s also safe to say that they haven’t come close to mining all the possibilities for basic relationship conflict, especially in an ASD/NT (Neurotypical) situation. I know Andreas, in particular, has voiced a lot of concern about Shaun’s ASD even being played primarily for laughs in this first half of S4; knowing Andreas himself is autistic, it troubles me that he (and, I presume, others on the spectrum) are left feeling this way about a show they are so invested in for obvious reasons.


So let’s assume Shore & Co. are headed in a better direction, and look at #Shea 2.0 this way…


  • Keep them together; in the first half of the season, show them in a variety of situations that they resolve together and grow closer as a result. (with varying levels of success as far as viewer reception goes; with any luck, we’ll win over a few Lea-haters along the way)

  • By the second half of the season, we’ll need to raise the stakes if we’re to get them to a place where marriage feels like an organic progression of the relationship. 

  • How about a serious illness? Shaun’s handled that (with Glassman’s cancer)... Work interference? At this point, it appears that Lea is perfectly tolerant of Shaun’s long hours (and vice versa? On a smaller scale?)... Questions of love/trust/commitment? Arguably much of this was resolved the moment Lea ran to Shaun and planted that kiss at the end of S3… but in more practical terms, each #Shea scenario since then has been crafted to fortify what they have. 


And just as I make the 😬 face a little more and say But if Lea is pregnant, will TGD be accused of becoming even “soapier” than it already is in terms of non-medical subplots? I find myself reminded of this one critical thing:


EVERYTHING lands differently with an ASD/NT relationship.





Offhand remarks (“Newbies”), an invitation to move in with a lover (“Not the Same”), meeting the parents (“Parenting”)... the lens is different with Shaun’s involvement, and always will be. 


Does that go for a #Shea wedding too? Most definitely. But they’re not to that point yet.


Does that go for a potential #Shea baby? Absolutely-- and, in theory, Shaun and Lea don’t have to be “to that point” yet because (ahem) accidents happen. That’s one thing about #Shea that puts them in the same boat as any other sexually active couple.


So for those who’d take all these things into account and STILL regard a #Shea pregnancy at this time as a dearth of ideas on the part of the writers? I guess I’d tell them to… I don’t know… go watch the show from the beginning???


(I might also tell them to go f--- themselves, at least in my head. But sometimes I frustrate easily.)



THE CRUMBS of the meatloaf


I’ve already alluded to as many of the said “crumbs” as have been made available to date, so I’m just going to add a couple of things…


    1. This trail of S4 pregnancy foreshadowing, as brought to us by Andreas via the comments:


Frontline Part 1: expectant single mother without support system.


Frontline Part 2: single mother gives birth; Park delivers and nurses the baby.


Not the same: expectant single mother, pregnant with twins while her own body tries to kill one fetus, her boyfriend left her after suggesting an abortion; woman had already an abortion with 15; the doctors discuss to abort one fetus to save the other; Shaun finally delivers one baby early. Jordan reveals that she chose career over marriage.


Lim: woman surprised by unplanned pregnancy, chooses elective abortion; Jordan reveals that she had an abortion herself.


Parenting: a father has stepped down from parenthood and plays “coach” instead; Glassman claims that Shaun and Lea’s relationship is moving too fast.


Irresponsible…: a couple is surprised by an unplanned pregnancy.


That almost reads like a blueprint for a plot...


    2. This little prediction from ME about the 4.12 title: 


Keeping in mind that episode titles have been pulled from #Shea conversations a number of times-- most recently with “Irresponsible Salad Bar Practices”-- “Teeny Blue Eyes” sounds like something Lea would say while discussing a possible baby with Shaun--  which I think would prompt Shaun to point out immediately that a child of theirs would actually only have a 50-50 chance of blue eyes vs. brown eyes because of the way dominant and recessive genes work.


(Although I think Paige Spara’s eyes look more hazel than brown, which complicates the whole eye color thing considerably… but IF the writers go the genetics route, I doubt they’ll go all the way to this!)



THE VEGETABLES of the meatloaf

("adding texture, flavor, and substance")



Practically lost amongst all this “stunning” pregnancy talk is that there appears to be one more chapter in the Love Adventure before seriousness settles in: Operation Save Striped Tomato. 


Andreas referenced it in his guest post, also noting that Lea’s parking ticket at the top of the “Decrypt” episode was another touch of foreshadowing, Grand Torino style. … and countless other readers have taken stabs at what’s to happen based on what we’ve seen so far. It goes something like this:


  • Shaun and Lea witness Lea’s beloved car being towed away (maybe she hasn’t paid the parking ticket(s), or was forced to park in a tow-away zone longer than planned)

  • Shaun and Lea ultimately attempt to recover said beloved car, in a way that does not appear to go through all the proper legal channels, shall we say. Ex-cop Park may or not be involved in this part of the adventure. 

  • What are the repercussions of such actions? TBD, of course…


However the elements of “We’re All Crazy Sometimes” unfold-- both the Striped Tomato subplot-- and the Shaun-Morgan case of the week, apparently dealing with a man whose wife is on life support-- we’d be well-advised to look and listen for clues to #Shea’s future. Are there any allusions to Lea forgetting to take her daily (contraceptive) pill? Some have suggested that could have happened while pulling her all-nighter in the “Decrypt” episode... Does she ever refer to the Striped Tomato as “her baby”? ...Will there be a more traditional hint, such as Lea being unable to hold down food, or fainting unexpectedly-- maybe in the heat of excitement as they get her car back?


Over at St. B., meanwhile, I can easily see Morgan and Shaun debating the life-support issue,  with Morgan asking “What would you do if that was Lea?” and Shaun responding in some way to infer it’s different because she’s not his wife… which would be Morgan’s cue to say something flippant like “Yeah, not now, but give it another year”... 


(Perhaps wishful thinking where the lines about marriage are concerned… I still want them to get married, after all… but the long-termness of the relationship is bound to be mentioned in such a debate nonetheless.)


THE SEASONINGS of the meatloaf


In seeing these five promotional photos over and over again, I’m reminded of a certain set of promo pics we got as we headed into “Autopsy”, and the epic conversation that finally got all this started (and nearly ended it right then and there, too)...


What they showed us in advance...

...and what actually went down

when the cameras rolled



While I’m with the rest of you on thinking there won’t be a lot of post-revelation conversation in the “Crazy” episode-- certainly nothing as long, or deep, as the three minutes Shaun and Lea had at the end of “Autopsy”--  I’m posting these shots as a friendly reminder that what we see in the promotional materials isn’t always what we get. Even when it comes to a simple, two-person dialogue exchange. So get ready.... We don’t know what we don’t know!



OTHER THINGS WE NEED TO KEEP REMINDING OURSELVES…  for this episode and beyond… 


  • Shaun and Lea are never going to get the amount of airtime we want them to have. (Or the time the ones who develop their stories wish them to have, for that matter.) TGD simply isn’t structured that way. 

  • When their relationship was largely undefined beyond roommates/best friends-- and especially when the lion’s share of Shaun’s personal time went to scenes with Carly-- it was tough for a casual viewer to see signs of Lea’s love for Shaun, and vice versa. That’s when the catapult moments (as I’ve been known to describe them) became so crucial in S3-- the epic embrace at the end of “Friends and Family,” the karaoke night in “Unsaid” that led to Carly breaking things off, the earthquake putting Lea’s life in danger, then Shaun’s… 

  • Now that they’re finally together… well, historically speaking, this is where it gets rough for storytellers. How do they keep weaving the tale in an interesting way? And more to the point with TGD, how do they keep it interesting with only 3 to 5 minutes of airtime an episode? (Catapults can still work, but sparingly, as their main purpose is to quickly get characters to a new point in a story arc… not just fling the characters back and forth for the sake of entertainment)




THINGS WE HAVE TO KEEP REMINDING OURSELVES…


  • Shaun and Lea are never going to get the amount of airtime we want them to have. (Or the time the ones who develop their stories wish them to have, for that matter.) TGD simply isn’t structured that way. 

  • When their relationship was largely undefined beyond roommates/best friends-- and especially when the lion’s share of Shaun’s personal time went to scenes with Carly-- it was tough for a casual viewer to see signs of Lea’s love for Shaun, and vice versa. That’s when the catapult moments (as I’ve been known to describe them) became so crucial in S3-- the epic embrace at the end of “Friends and Family,” the karaoke night in “Unsaid” that led to Carly breaking things off, the earthquake putting Lea’s life in danger, then Shaun’s… 

  • Now that they’re finally together… well, historically speaking, this is where it gets rough for storytellers. How do they keep weaving the tale in an interesting way? And more to the point with TGD, how do they keep it interesting with only 3 to 5 minutes of airtime an episode? (Catapults can still work, but sparingly, as their main purpose is to quickly get characters to a new point in a story arc… not just fling the characters back and forth for the sake of entertainment)



Finally, THE TOPPING of the meatloaf!


David Hoselton and David Renaud are the writers of “Crazy”, which might lead you to wonder what parts of the #Shea journey have they been involved in previously? Here, I'll help:


Hoselton: wrote "Not the Same" in S4, "I Love You" in S3, "Faces" in S2 (mentioned because of the literal journey Shaun & Glassman took, as I wonder what awaits for the Striped Tomato), and "Tough Titmouse" in S2 (written solo).


Renaud: wrote "Newbies" (S4), "Heartbreak" and "Autopsy" (the latter written solo) in S3, "Hubert" (written solo) in S2, and "Apple" (written solo) in S1... the episode ending in Shaun's first semi-hug with Lea.


Also, director Mike Listo was responsible for both parts of the “Frontline” season premiere as well as the “Lim” episode this season. Last season he directed “Hurt”, “Unsaid”, and “Friends and Family." He's also behind “Breakdown” (dealing w/Shaun and Han’s final exchanges in S2) and both “Quarantine” episodes from S2...


So I think it's safe to say high drama and/or high action is among his specialties!


🍏🏎🍏🏎🍏🏎🍏🏎


Wow, this is a mighty big dish I've assembled. I'd say it's time to get it in the oven, but considering I'm about to "put a fork in it"... maybe it's already time to eat? 😃


OK, one more thing...


Try to remember, as we make our way through the back half of S4, how Shaun’s journey hit rocky territory both in the back half of S2 and S3, to the point where we were left to wonder How will he find his way back to being a surgeon? (S2) / and How will he and Lea possibly be able to make this work NOW? (S3) 


Remember that HE did, and THEY did.


🍴🍴🍴🍴🍴🍴




Wednesday, March 3, 2021

From Guest Blogger Andreas: Theories On “We’re All Crazy Sometimes” And Beyond

🍏🏎🍏🏎🍏🏎


Hey #Shea fans… fellow reader (and frequent commenter/contributor) Andreas has so much to say, suggest, and predict about upcoming episodes of TGD that he did a lengthy write-up worthy of its own blog post. If you’re on Reddit, you may have already seen this; if not, please take a look at Andreas’ not so “Crazy” take on the back half of S4! 

A few more words from me before I give him the floor… 

n           -- Thanks, again, to all readers and especially everyone that takes the time to comment. I read every single word added to these posts, and it’s extremely gratifying to know how appreciated this “safe space” for all things #Shea has become over the past year.

n              -- In fact, readership has grown so much in just the past three months alone that I’ve finally (for the first time in the 13 years since I started blogging about figure skating!) got some real improvements in mind, both for State of the Skate/State of the #Shea and for my online presence overall. More on that to come…

n              -- I DO plan to write a little something ahead of next Monday’s “Crazy” episode; look for it in a couple of days. 

🍏🏎🍏🏎🍏🏎


Theories On “We’re All Crazy Sometimes” And Beyond

(By Andreas)


With 4.10 “Decrypt”, mid-season has arrived and it's time to ask what developments lie ahead starting with episode 4.11 “We’re All Crazy Sometimes”. Though, before I speculate about the subsequent episode, let’s take a step back. What did we get so far?


Rise and Decline


“Decrypt” tied a nice ribbon around most of the plots that ran through the first half-season. Lim’s PTSD is in remission, and a peace treaty with Claire is underway. Morgan has found fulfillment and purpose beyond surgery. Park enjoys Morgan’s presence and touch (and vice-versa). Lea found the validation she missed in her private (4.08 “Parenting”) and professional life. And Shaun? Well, he stays remarkably calm within all the turmoil, though one might object that his medical career seems on stand-by since his teaching break-through in episode 4.06 “Lim”.

Season 3 closed with a song that juxtaposed the concepts of Death and Love—the circle of life. It set the mood for season 4, which frequently referenced episodes of previous seasons, suggesting that life within the show’s universe moves in patterns and cycles that do not necessarily mean repetition but renewal. Shaun and Lea’s love is blossoming, a new bunch of first-year residents came on board, veteran residents turned teachers… and there is a significant spike of pregnancies with the patient’s cases.

The episode’s title of 4.11 implies that most characters will act in a way that could be seen as out of line or venturous. The synopsis tells us that challenge and rivalry will the running theme of the stories told.


Accomplices in Life


Most apparent, there will be another #Shea C-plot involving the Striped Tomato. Lea got a parking ticket in 4.10 right in front of their apartment building; obviously, the parking situation is bad. And thanks to some behind-the-scenes pictures we know that a tow-truck driver and a fictional towing service are getting involved. In conjunction with the promo and the parking ticket, we may infer that Lea’s car gets towed for a parking violation. Due to yet to be seen complications, she is unable to retrieve her car and thus acts crazy by stealing back her beloved Grandpa’s car, with Shaun in tow.

It is another silly comedy plot, but becoming accomplices in a petty crime would sure be a rivet in the strong bond binding their hearts together. And don’t forget that Park, Morgan, Asher, and Jordan went through the same routine by lying to a patient just in episode 4.10. Such an enterprise is ultimately a question of mutual trust.


Let That Be Your Battlefield


Which brings us to the case Shaun will be working on with Morgan—and only Morgan—because the script makes sure to separate Shaun from all the other surgical residents, probably to allow for some focus on what makes this pairing special.


As mentioned before, Dr. Shaun Murphy is somewhat in a rut. He knows the procedures, is an extraordinary diagnostician, and he has come to terms with being required to teach. Yet, as Andrews suggested to Olivia not so long ago, surgeons must shine to advance their careers and Shaun’s bedside manner and poor communication skills remain his Achilles’ heel. Adding Shaun’s nearly non-existent ambitions beyond healing the sick and loving Lea, one can do the math: Shaun is only second or third on chief Lim’s hire list when their residency ends.


Although this might be just a long-term projection, the synopsis on the case makes it clear that Morgan and Shaun disagree with each other. This might make Shaun uncomfortable for the moment, but could be a winner’s ticket in the long run. Because when you want to be on Seal Team Six but lack the killer instinct, there’s no better drill instructor than Morgan Reznick.


‘Til Death Do Us Part


But there is another aspect in the case of a husband who must decide if his comatose wife should be taken off life support. The disagreement on how to treat an unconscious patient calls back to the case Shaun worked on in 1.06 “Not Fake”. Back then, the parents and a bride argued about amputating the unconscious groom’s leg—to the point that a judge had to be involved.

Shaun already referenced this case in “Parenting”, when he recited the judge’s reasoning to Lea’s parents: you know the child while I know the adult.

A consequence of this case was that Jessica Preston made her fiancé Melendez a health proxy. And I should mention that at the end of this episode, Shaun told Glassman that he rather would avoid love because everyone and everything he loved died. How times have changed…

Anyway, either by observing the husband’s agony about holding his wife’s life in his hands, or assisted by Morgan’s cutting remarks… Shaun could get into thinking about him and Lea. For while it is all peaches now, the future is an undiscovered country.

Legally, Shaun’s next of kin is his distant mother in Casper, Wyoming, which is probably not the most thrilling prospect for him. He might conclude that if Lea is someone to steal horsepower with, he might as well trust her with his life by making her his health proxy. And on the heels of that comes the question of marriage.

It's an idea that probably would not have entered his head otherwise since he has always been skeptical about marriage and brought a certain cowbell instead to ensure their future together. And it's an idea that Lea might not entertain readily because her first attempt at marriage utterly failed. Thus, the relationship might come to an impasse.

Or in yet another variant, Lea counters Shaun’s health proxy proposal by bringing up the possibility of marriage. Both options may provide enough drama until season’s end.


Twilight of The Demigods in White


While we can’t be sure about marriage plans, we know for certain that Shaun and Lea’s lives are closely entangled with Dr. Glassman. Which is why it should give Spock’s brow a rise that, after “Decrypt” focused on Lea and Glassman, the next case of the week revolves around Glassman, challenging the other residents and (obviously) being challenged by Dr. Andrews in return.


The Dr. Andrews of “Decrypt” and “Irresponsible…” made sure to remind us of his past as a schemer and backstabber. Now I might be reaching here, but in episode 4.02 “Frontline Part 2”, Glassman, at age 65, expressed his fears of becoming less useful and expendable to Debbie (a reminisce to the fear voiced to Shaun during his cancer arc in season 2).


Being the hospital president for more than 10 years, working a second job at the free clinic, and having a quite demanding wife, Glassman might feel his energy, if not his time, running short.


Like any aging gunslinger, he might want to prove, more to himself than to others, that he is still at the top of his game... or at least exit in a blaze of glory. Thus, he presents a case no other doctor would touch—as Andrews stresses—to residents eager to brush up their resumes. Ultimately, Claire and Asher make the cut and celebrate their victory at an open mic night; with Claire finally accepting that not everything she inherited from her late mother is a bad thing.


Of course, when decline is in the air, hungry predators catch the scent. It's a sure bet that Andrews has his tailored suits stored in some closet, living a career vicariously through his niece (which has now been cut short). Chief Lim is still reeling from her PTSD, and the hospital president’s retirement is only a question of time now. It's a mix that could give any ambitious man ideas... as in becoming chief of surgery instead of the chief of surgery when the career carousel starts spinning. 


Glassman had never planned to return as president in the first place. All he wanted in 3.01 “Disaster” was working for charity and enjoying life with Debbie. Aoki had to bribe him by re-opening the free clinic at St. Bonaventure. Andrews might suggest for Glassman to prepare a transition of power to Lim, allowing him to concentrate on running the free clinic. By this, Andrews would serve everyone’s interest without applying his destructive methods of season 1 but still build up his power by mentoring Lim.


With the beginning of the second half of the season, a new mini-cycle of rise and fall is on the verge and the powers within St. Bonaventure might shift ever so slightly. And while Shaun is busy consolidating his private life, others might position themselves for the things to come.